Originally posted by reh321 At another discussion board, every-so-often someone will ask "How can I take pictures in an old church, where the lighting is dim and they don't allow tripods or flash?" The answer usually involves buying a camera for $1000+ and then adding on an f/2.8 (or better) lens for at least another $1000. I have "just" a Q-7 kit that cost me just over $400, including the extra 01 lens I bought. Attached here is a picture I took using that Q7+01 in an old mission church, where they didn't allow tripods, didn't allow flash, and they keep the church quite dark. This is not a perfect picture; I could fix it up some in post-processing, but I think looking at the original is more instructive. Perhaps a more expensive kit would be needed if I were producing a picture for a poster, but for display on my computer, this will be just fine. A Pentax Q-7 has nothing to apologize for.
Here's the thing, though: that $400 could have bought you an Olympus EPM2 + kit lens, and it could have produced your photo with better IQ. If we are comparing the Q system with other systems based solely on a price-vs-performance, the Q will lose. The Q has its own charms and abilities that are readily duplicated by other systems, and IMO Pentax should play to those strengths.
---------- Post added 03-14-15 at 10:35 PM ----------
Originally posted by Alizarine There was a previous interview with Ricoh concerning the Q when the Q-S1 came out - I'm not sure who was it who answered, but from Pentax's response it seems they're pretty dedicated to continuing the Q line, albeit many of its sales lie in Japan. Not sure about your first question as to what's the usual thing the Japanese do with their Qs- though I see a lot of them trying lenses from other small mounts like 110 and for CCTVs, of sorts. One of the biggest problems though, like what you said, is sensor development - aside from Sony who else makes a 1/1.7" nowadays? It would've been a lot better if Pentax had its own sensor fab... but that's dreaming too big.
As for returning the Q to its first "premium" iteration - like the premium version of the GR - that would be even more niche. While it's true that many of us here in PF give value to a high-quality body, many of the purchases came when the Q moved to a plastic body construction... and also, Pentax wants the Q mount to be the most "fun" of their ILC's, and if that's the case, then the bigger the sensor, the more "serious" things are getting (as how I see Pentax with the progression from Q to 645, the latter which they relegate to professionals).
I appreciate your well-considered reply.
re: the magnesium-alloy body of the original Q, I don't think that accounts for the fact that it was so expensive. I believe Pentax really wanted to milk the early adopters. I bet many enQusiasts would pay $100 for a "premium" body, and I bet even more frivolous users who are accustomed to nice things would pay that, also. And I doubt the mag-alloy body costs $100 more to produce than the plastic body of the succeeding Q's.
I think many of us believe that the Q7 is aimed at "primarily Japanese girls" with the implication that they have little interest in the camera other than as a step-up from their smartphones. I'm hoping that a large segment of Q users are enthusiasts who consider the Q to be "serious" as well as "fun", and that Pentax will see this and throw us a few bones.
---------- Post added 03-14-15 at 10:42 PM ----------
Originally posted by Tony Belding They could put in a bigger sensor, maybe 2/3". So, the lenses wouldn't fully cover it -- but it could use a variable portion of the sensor to produce different aspect ratios. That's something very few other cameras do, and it would be cool.
AFAIK, only Fuji makes a 2/3" sensor any more.
Last edited by luftfluss; 03-14-2015 at 07:39 PM.