Originally posted by CWRailman And how do you accomplish this? What software do you use? What are your basic settings for both the camera as well as the software. What if any are your recommendations. This is the sort of information that I am attempting to get shared. What are you doing that produces the results you like? Obviously you have used the Q series to produce some images that meet your standards. What did you do to meet your expectations?
In any book store you can find books devoted to any Canon or Nikon camera and associated software but none to the Pentax line. I believe one service, boards and forums such as these are meant to provide, is to share information about our successes that may help others improve or enhance their use of the Pentax line of cameras. In this case specifically the Q series as it currently exists.
A universal approach or recipe to processing images is hard for most to define ... or at least it should be.
Every image ought to present its own technical and artistic challenges. What I do in one image may be very different than what I do in the next. That is why I don't have presets even though I believe they can be helpful for others. Entering the 3 to 5 settings for contrast, saturation, clarity, and structure in Capture One takes all of 12 seconds for me and even then I will tweak the numbers up and down depending on the image. I think all of us have a distinct style and we come up with different recipes for each image to achieve that style.
The cookbooks and recipe books that you mentioned for Nikon and Canon don't really jive with me because I feel like they are trying to tell me how to achieve a certain look or perception of an image. When I look at my dull raw image in Capture One I can identify 80% of what needs to be done to it right away. This is because in my head I already know what things ought to look like. How green is green grass? How blue should the blue sky be? How should I bring out the shadows in the background to give the background some depth. It's just basic photography and color manipulation. The basic tools from the darkroom never changed in principle. They just happen to be sliders on a screen vs. hand held instruments hovering over a print as it is being exposed or a filter that slips in front of the enlarger lens.
I think what you may be referring to is a tutorial or manual on how to operate the software. That ought to be a 50 page pamphlet. There really shouldn't be a lot of hidden features or menus to click through. If there are then the software is overshadowing the image and I would switch software.
Rather than look at cookbooks and tutorials I love looking at a photographers collection of work. Let me thumb through the pages of a book of H.C.B.'s prints and try reverse engineering his thought process. Or, how about an art book on Cezanne or Matisse where I can try to understand what they saw in their heads after they were done looking with their eyes? I'll figure out afterwards what sliders I need to push or what adjustments I need to brush in through experimentation and exploration. Control-Z (undo) and non-destructive editing is your friend here.
The closest I can get to a general recipe for the Q is to boost contrast and saturation, apply liberal sharpening or micro-contrast, and then brush in localized adjustments where the image demands it. This is slightly different than the K-3 in that I would minimally boost contrast and saturation and apply minimal sharpening or micro-contrast. I still go nuts brushing in local adjustments if that is what it takes to extract detail from an image. Since I shoot everything in raw I don't manipulate my camera settings at all. They are all set to zero or whatever the default settings are. I would go insane tweaking those sliders in-camera to get a JPG that would still be off.
A camera has one purpose in my mind : to record the light truthfully and accurately. My job as the photographer is to first frame that light and then extract as much detail as I can from it.