Hi Pentax again
So, a slew of thoughts now on the K7 prior to which you CLEARLY read my older rant here in this very same thread. I shall split them into factual comments and some generic thoughts. Ready to begin?
- It is way too easy to inadvertently switch on Liveview when changing with the thumb between AF modes, the respective switches are somewhat too close/not ideally positioned relative to each other. Others have pointed this out as well as I’ve learned.
- The only ergonomical idiocy from Pentax I’ve ever come across: the top LCD panel illumination. Up to now (pre-K7, i.e., MZ-S, K10/20), it was switchable on via a button just as one would expect it to work though I always wondered why you cannot turn it off YOURSELF just as well and have to leave it to it automatically. Logically I would expect it to remain switchable on when I need it and perhaps become actively switchable off as well. But now...no. Neither of the two botched options in the K7 suits me: now I have either to switch off illumination completely so as not to bother me when I don’t want it, thus rendering it effectively non-existent, or having to bear with the idiotic way it turns on every single time when metering (i.e., making a shot and perhaps wanting to look inobtrusive)/changing ISO/exp compensation. I would strongly welcome a third option (and a one certainly easily implementable via firmware update) of assigning a dedicated/selectable button just so that illumination can be turned on (press 1) and off (press 2) on demand, and only on demand (or more precisely in the latter case, turn itself off when not done so actively after some time as in earlier bodies). Shouldn’t be too difficult.
- I would like to see more ergonomic/elegant arrangement of rear buttons, and the buttons themselves more refined in finish/the tactile sense, something to the end of Olympuses E-P1/2 or Leica Ms/X1. Which also tell you that simpler and cleaner is more elegant..
- The top panel (seems directly transplanted from the K10/20) is somewhat disproportionally large for the more compact body, not least making it appear bigger than it actually is (the K20 with its hunched, subdued mafiozo-style blobbiness in comparison somehow managed on the whole to LOOK smaller than it actually was). Also by making the top panel a bit smaller (NOT removing it completely) perhaps some space could be saved for a more ergonomic (see points above) and cleaner arrangement body design-wise of the back controls.
- The same goes for the rear control wheel, it protrudes somewhat more than it should, coming too easily into the thumb’s way, and also distorts the otherwise clean body lines. Perhaps embedding it a notch or two deeper into the body would help.
- Better low ISO sensor/performance is self-explanatory and has been called for ad nauseum, so just for completeness’ sake (I won't go into FF fantasies in the K7 body, at least for now).
Finally some general thoughts, or rather my generic consumer rant on Pentax body designs and how they relate to in-house lens designs, and where I would like to see a more consistent effort and clear long-term positioning.
Let me begin with the MZ-S – though it had its design flaws, and didn’t look equally good from ALL angles, from MOST of them it managed to look strikingly good. The sleek body lines somehow redefined elegance in SLRs (remember how long Photozone used it as a visual hook to its camera review section?) not least by building subtly around the viewfinder hunch and rear control wheels, making it appear on the whole a smooth, understated, inobtrusive urban-looking camera with rangefinder-ish accents. The moderate weight right at the limit of what one could still call “eminently portable” also helped.
Now, I would like to see even more resonance of that elegant, subdued style in Pentax’s DSLRs. The K7 somehow screams to me in an almost Nikonian affirmative: I’m big in the DSLR business, although in a compact sort of way. Perhaps it has to do to with the pronounced viewfinder hump (the meaning of which I do not get as it is mostly made of just the flash holder which does little more than taking up space), perhaps with some oversized elements relative to the body size (see above). I’m also firmly convinced the bodies could go even more compact - what is it particularly about the girth of all digital bodies as compared to film SLRs? – it makes all DSLRs look fat and bulky even with smaller front dimensions compared to their film counterparts. And lighter - the K7 is a step in the right direction here but only in the evolutionary as opposed to revolutionary sense from the K10/20 (remember that average weight of the lighter film bodies was little more than of today's m4/3 compacts? - I would welcome as close down to 500g (420?- the weight of MZ-3) as possible). And I would like to see some more elegance in some details (most of them outlined above) to make it on the whole appear less of an SUV in city settings and more of a “I’m right at home here“ style of camera with a touch of urban elegance (again, the MZ-S body lines!). Or in other words: I would not hesitate to bring the MZ-S with a limited attached to a restaurant or theater, with the K-7 I would. By making a statement with your unique selling proposition (the Limiteds), I would like to see the same kind of steady sense of direction and elegant understatement in your bodies. I would like to see more of the Japanese Leica thing (and I’m not the first user to come up with this), with autofocus and DLSR versatility. End of message.
And, oh, I like VERY MUCH how the camera looks directly en face – the front side contours and depressions are just soo sexy.