This I something that I have had on my mind for some time now, Don’t get me wrong: camera clubs are sometimes a great way to exchange ideas and help others who are exploring the possibilities of photography.
But It turns out I have high standards:
I’m not going to name names, or point fingers – but for the past three weeks I have attended a camera club here in Adelaide, which was allegedly one of the better ones. And to be honest, the judges they had critiquing their work weren’t very skilled or experienced enough as photographers themselves. Some photographs were dismissed on grounds of photographic alteration – when in fact the only alteration done was some dodging and burning on the sky and subject*. While there were other works submitted that were blatantly altered and passed off as a work of art. However the judging of the works presented wasn’t my only issue: a majority of the works displayed were what I would call unfinished works – only one or two images were polished to a degree that I would have been happy with. With a majority of the images were of such bad quality that I wouldn’t even use them to line to bottom of a birdcage. I also saw a considerable subset of photographers who were willing to forgo artistic integrity in order to get a high “score” from the judge by submitting photographs of babies or nude female models – this is actually one of the things that
really bugs me the most about photography clubs, you see others pandering to the tastes of a particular judge. Also the reduction of an image to a score from 1 to 10 is also demeaning. The judge was also clearly not up-to-date with his image alteration techniques. If I ran a camera club it would be mandatory for the judge to submit a portfolio of at least 50 images that are at an equal standard to the grade he was judging.
There were plenty of issues I had with the quality of works being presented t the club meeting: when I was there last night I saw a number of photographs without a mattboard, when I see this it unfailingly gives me the impression that the photographer doesn’t care about their work. Mattboards are important in the preservation and presentation of a photographer’s work: they keep the image flat, they protect the corners of the image from becoming frayed. There also was an assortment of coloured mattboards – now I don’t having against the use of coloured mattboards but there are certain rules of colour theory that have to be observed. Another thing is that many of the judges are too liberal with giving a work a high grade. Let my clarify: an image that scores a 9 is something I would like to have hanging on my wall – and image that scores a perfect 10 is an image I would buy. If I was asked to critique the works presented last night there would only be one 9 – most of the images presented would have scored an average of 5. One of my colleagues from the studio where I work was there – and as we were discussing the works presented she was visibly building a mental embankment against the rising tide of ire, at least she offered to buy me a drink at the Irish pub across the street.
*which is a perfectly legitimate technique.