Originally posted by house I'm referring to the manufacturing and the tactile aspects of the camera. As objects/machines they have very different qualities than most (Leica caveat) new cameras. Little to no electronics, gears, levers that push things by your power, dials with mechanical connections. Those are some of the reasons along with the film medium itself that have made vintage cameras and film popular again. Younger people have very little experience of, and can be fascinated by, small intricate machines of the type that was commonplace 50 years ago. I'm young enough to be borderline, those things were around but old when I was growing up.
Matching the build of vintage gear is difficult today but perhaps China can do it. Anythings seems possible over there.
I know I am repeating what I have already said in this very thread.
There still are lots of vintage cameras out there - I have three in my very own closet {I seem to have inherited a Canon “AE-1 Program” from my Mother. Now, I did retire my “Super Program” because I was ready for AF, but some are even auto-focus - so what business case would support manufacturing more film cameras when we already have this sea of existing vintage cameras? I know that some remaining “Spotmatic” and “K-1000” bodies do have problems, but some are like my three and could be used today if that were desired and some could be rebuilt by craftsman such as Eric. I simply do not see a business case for building yet more of them.
I should mention that every time I take my “Super Program” out of the closet, my wife asks “why” - why spend more of our money for film and developing when I know - I have demonstrated for myself - that even a 6mp digital image is sharper than that old camera could produce with Kodachrome 25 {which is no longer manufactured itself}.