Originally posted by D4rknezz I am getting into weddings this year, and this little event and the stories that you guys tell adds to the precautions I need to take later on.
I am not sure what to do to be honest, I have been looking into strobe setups for on-location lighting. Some of you have wrote what you do to secure your gear (like keep on person, etc), however, these strobe setups standing on a lightstand by themselves, worth 700-2500 dollars while i stand back to take a picture.....
There is a certain amount of gamble, to be sure. Maybe i should look into insurance.
?
With big lighting rigs like that, worth doing. If you rent, you can probably get that.
Of course, according to the 'drop test' I'd also be charging more if I were bringing that sort of setup to bear. If you're getting paid for a whole package, you can cover yourself before long, but I wouldn't lay out so much to bottom-feed.
I've assisted on weddings with the formal group shots and all, *despised* the contrivance of the lighting. (Captive audience, that part's OK.
' I just got so like, 'If you want a mobile portrait mill, hire Bachrach, they'll do this better.' No one frames and critiques the party-of-eighty-lined-up-in-a-hotel-after-a-few drinks.
They just want to see everyone's faces, are usually indulging the MOB to even be there in the first place, and it never seemed to miss much if they'd be like, 'I remember when we lined up for this, wasn't that photog a character.' and if you can work some personality in, you've got flip-book treasures for them. That was my attitude with the ol' 6x7 and potato masher flash balanced into the ambient. (What flash synch?
) That was what I'd do on my own.
People selling whole wedding packages with the albums and the formal lighting and squeezing in a portrait session and all that were getting twenty four hundred in *80s'* dollars. They'd also keep the negs and mark up albums and sell enlargements that people are now expecting to get off Iphones for free. Don't feel obligated to imitate that on the cheap and take all the risk on yourself. (That's what I say while cranky, anyway. )
Fact is, if while shooting an event, you felt the need to leave a seven hundred dollar lens on a table somewhere, (And I say that as someone who's never owned a seven hundred dollar lens in her *life* ...you were carrying too darn much, or expecting to carry too little, and probably not of the right stuff.