Originally posted by Fontan Hm . . . . Let me see. Obvsiouly I cannot summarize it in a sentence here, but she seemed to be into putting the art of photography in terms of social context, as it as in photography became more of a mass art form because it becam so prevalent. Because photos are literally every where, she thought it was going to become a major force in defining cultures . . .
Does that bring you back some?
Yeah, actually, it does. I may have just skimmed it *cause* I'd already come to very similar observations and conclusions to what I saw, perhaps without the prognosticated sense of *importance* you're describing, here.
I've tended to see the image-saturation of *my* times as something that's really taken a lot of photography *away* from the import it once had, (Along with lots of other arts: painting was ahead of this *cause* of photography: people stopped paying attention when photorealism was available cheaply via photography: it's not really that peak quality suffers with all the automation, but people's *attention* does, and so does the signal-to-noise ratio in people's attentions... It's harder to get people to stop and look.
When I was coming up, it was hard to wave a camera *without* someone mugging and going 'Take my picha, baby!' nowadays, you're mostly just among the intrusions of a camera-filled society, almost even resented, unless you can really make it something special. Takes more than technical competence to get someone to actually stop and look at a *photograph,* too, which may have some effects, too, when it comes to people's attention and what they think of the world. They're biased toward big drama, and all.