I'm stuck in writing research proposals...so I'm going to write down something else I had in mind for a while.
Top 10 current questions about Takuma Kajiwara:
1. Who were his parents? We only know he and his brothers came from a samurai family. But Kajiwara appears to be a common name among samurais (are all samurais with this family name related?). He was born in Kyūshi, Japan, on November 15 in 1876 (Meiji 9), as the third of five brothers, and that the family presumably had a tradition in art (extending back into the samurai period as well). But I would like to know more.
2. What did he do during his first years in the US? We only know that there was a note about Takuma Kajiwara under "hotel arrivals" August 18, 1898, in the Seattle Post-Intelligencer, and that he is supposed to have worked as a photographer already then.
3. How did he learn to know George Eastman, the founder of Kodak, and how close was their relationship? Is this even true? My only guess so far is that if "Papa Cramer" was the dry plate manufacturer that invited him to St Louis, he may have met Eastman through him.
4. In several interviews he is described as an amateur philosopher and it is mentioned that he wrote essays of some sort of philosophy thoughts. Did they ever get published?
5. What camera(s) did he use, and lenses, and photographic techniques? Since all photo's so far is rectangular, a quadratic format is unlikely, but that is all I can guess.
6. Why did he spend so long time in Japan in 1938-1939, and even stayed long after his wife returned to the US? Is there any truth in my suspicion that he and his nephew Matsumoto who had recently taken over Asahi Optical Company already then planned for producing a camera, and that the war came in between?
7. What happened with him during the WW2? He should not have got interned since he lived on the east coast (from what I understand it was only Japanese people from the west coast states that got interned), but it must have been tough to be Japanese in the USA those years. From what comes out from interviews he did not share the Japanese governments view of Japanese superiority, fascism etc, but rather the opposite, but given that he was of a samurai family, had worked for the Japanese court for a while, had a brother running an industry (forced to) work for the Japanese military etc...did he have FBI hanging over his shoulder? There isn't yet a single reference to what he did during the war, which is itself strange.
8. How much was he involved in the development of the Asahiflex system? It is supposed that his role was mostly to lend his name to the US marketing, and to the lenses, but even if I'm wrong about what happened in 1938-39, Matsumoto went to New York, and Kajiwara to Tokyo some years before the Asahiflex was launched in the US.
9. Why is it so hard to find reproductions of his paintings? So far I have only black and white reproductions (fairly bad ones) of three paintings, and color photos of one sure Kajiwara portrait, and one unconfirmed (not even the company that has it for sale dare say anything else than that it is a possible "Kajiwara"). But he is supposed to gradually have moved away from photography into oil painting, and many of his paintings is supposed to have won awards and been hang on many exhibitions. Where are they now?
10. Why did he remarry at such high age after Fern's death? How did he meat his Japanese wife, who was she, what happened to her after his death, and why isn't she in the family grave?
11. What happened to photo's, negatives and paintings in his belongings after his death? Are his negatives lost as so many other photographic treasures, or are they kept safe somewhere at a museum, or within the Kajiwara/Matsumoto family?
Mmh, that was actually 11 questions, but I can't decide which one to remove...
As it seams I now have a small staff of co-workers on this quest, perhaps we can answer some of these questions. Especially 7 and 8 should interest anyone interested in the history of Pentax.
So for you who had the patience to read this boring list, here is a bonus.
So far these are the only photographs by Takuma Kajiwara I've been able to find, that are not studio-portraits:
This is supposed to be the Japanese Garden of one Leonar Matthews at
5447 Cabanne, St Louis, at about 1912.
Did he shoot this with the same camera as in the studio portraits, or something else? Did he take other jobs like this?