Originally posted by Fontan You know, I get it.
Growing up, from early on my teacher forbade me to listened to Gould. The problem was that it only made me want to listen to his records more and more. By the time I was in my mid teen Bach had become my favorite, and I did then think that, aside from the machine-like style u r describing, nobody delineated polyphonic voices better than Gould. That being said - he played works of composers as if he hated them, and often made me wonder why he recorded them to begin with. I find his Beethoven simply and utterly unacceptable. He is known for his interpretation of Bach, but how he played modern pieces like those of Shoenberg, Hindemith, and Webern was nothing short of miraculous.
For those of us who play - identifying Gould blindly was very easy, actually. It may well be because we are so aware of his repertoire so well.
I'm not a pianist but do have Grade 7 under my belt. I own and attempt to play well a Johannus Opus 10 two manual and pedal 26 stop organ. I have studied organ since 1965 when I was "volunteered" to play for the RC Chapel in Fort Chambly near Soest, W Germany because I could tell black keys from white. I used Ernst Kaller's Orgelschule during my rest of my German posting.
My teachers have been in order of lessons, three very good woman organists.
Susan Ohannessian, B Mus, UBC,
Suzanne Gibson, Fellow of the Royal Canadian College of Organists, and
Sr. Janice Haustein, Colleague of the American Guild of Organists, in Chicago.
To the best of my knowledge all three ladies despised Glenn Gould.
Albert the opinionated.