Originally posted by jsherman999 I notice cameras also, but I also notice lens effects in recorded video, like on television dramas - scenes where they try for moods or slightly arty effects.
I'm often spouting pearls of wisdom like: "wide angle lens, shot up close. Center looks normal, but look at the edge effects." Or: "Big aperture zoom, hair in back of head is soft, eyes are sharp." Or: "PF alert! PF alert!"
I often have no idea what's going on on the show plot-wise. But then, it's usually something like Grey's Anatomy, so, no big loss.
Wife is no longer concerned, which is progress.
I do that a little but I used to be a partner in a video productio company and we shot 3 chip Sony Beta cams (big heavy suckers) any you just don't look at video the same way. The lenses were expensive but designed differently in number of ways.
Originally posted by ryan s I watched "American Gangster" yesterday for the first time.
The Riza uses a Spotmatic with a 135mm Tak of some kind in the 1968-69 time frame. Then Russell Crows busts out a K1000 with what looks like a K 135mm in the early 70s.
I cheered every time they were on
Yeah I saw that movie in the theatre and noticed the same. I and a couple of other members posted about that back then. It just made the movie even more enjoyable.
To the other comments, if the secret service guys couldn't see a lens that size (appeared to be a 70-210 of some sort like the old Vivitars) in you pants/pocket, well they need to look for new work.
I knew Gary would para-quote Mae West. Too funny