Originally posted by Waffles ...but I wouldnt admit to taking longer than three weeks to produce something like the Let It Be album. A couple singles from the sessions wouldve been enough, I think
That what they might consider a failure by their high standards is extraordinary.
The idea was to be the opposite of the slick, intellectual production and avant garde experimentation of Sergeant Pepper and The White Album. The tracks are intimate, and were meant to be played live by four musos as if a garage band - back to fun and fundamentals. It was not recorded at Abbey Road but improvised desks dragged into a movie studio and the Apple building basement. That's its rough charm, it's like those MTV Unplugged sessions we used to watch in the 1990s, except the tracks are being improvised on the spot. There were meant to be no overdubs, so originally Lennon's mediocre bass playing happened over the two Paul piano ballads. Several tracks are completely live from rehearsal, and Phil Spector even included some of the banter between songs.
So, these sessions yield great loose tracks like Two Of Us and I've Got A Feeling, but some of the greatest songs in pop history: Across The Universe (one of John's most beautiful melodies), The Long And Winding Road, Let It Be, and of course, Get Back itself - the documentary catches the extraordinary two minutes where this goes from a McCartney strumming pattern, Ringo kicks in and gives it a backbeat groove, and suddenly, there's the song. Try not to nod your head to it!
We also hear songs that are started but not completed within the three weeks, so they become iconic songs on later Beatles and solo albums: Jealous Guy, All Things Must Pass, Maxwell's Silver Hammer, Octopus' Garden and others that appear in the medley of Abbey Road. The creative burst is huge, but by September, it's all over, John left the band.
Last edited by clackers; 02-19-2022 at 04:47 PM.