Originally posted by ChrisPlatt Can't have been too much $$$ considering the small audience.
Truly artists do their art for love.
It is wonderful book Michael, and I will purchase another.
Chris
Thanks for your support, Chris. I wish I could say it was a labor of love, but my publisher was a harsh task master. For sure, my pride and my own personal conviction in putting out as accurate a book as possible was very much part of the process, but my publisher's constant goads was what made it happen in a not-so-timely manner. He wanted a new edition every year and I had to explain to him that it just wasn't gonna happen, which he didn't particularly like hearing. (I attended a year long course in hand and CNC lathe and mill operation between 1992 and 1993 and went back to school to complete my degree in 1994, both of which interfered with progress on the bluebook, but oh well!) One positive thing my book did, though, was it got Jim McKeown (of
McKeown's Price Guide to Antique and Collectible Cameras fame) off his complacent ass and his collectors/price guides ended up being not only more timely but better informed directly because of my book. How do I know this? Because he lifted info directly from my editions and put it in his, is how I know! He managed two more editions after I put mine to bed permanently, but by the time he'd completed his last, the writing was pretty much on the wall. You don't need a current KcKeown's for information on a camera that was produced 50, 80, or 100 years ago. That info is in his earlier editions. And anything he may have added to his later editions can probaby be found just as easily on the 'net or eBay. So, like my book, McKeown's has pretty much run its course as well. Eh, it is what it is. I'm glad I did what I did for as long as I could do it. The royalties didn't get me rich but they did keep my daughter and me in new computer gear for those years, and I even bought a Norton motorcycle from the first royalty check from the 2000 edition. So that was kinda cool.