Originally posted by lesmore49 Reading your post made me think of two grand, old Minoltas from the film past. One, is the Minolta XK. A camera, I believe was made to compete with the 35mm pro bodies such as the Nikon F (2 or 3, not sure), Canon F1, Pentax LX. I've seen an LX, almost got one, used an F2, have an F1. But I've not seen an XK in the flesh.
The other Minolta, was the Leica/ Minolta CLE (I hope I recall these letters, correctly) . This was a camera, back when it was avaialble new, that I did consider getting. Believe it has a legendary status among Minolta fans.
The Minolta line was one camera company that I was sad to see go. Think it was absorbed into Sony, but if so, I would of liked for Sony to have called their camera line 'Minolta'.
https://www.google.ca/url?sa=t&rct=j&q=&esrc=s&source=web&cd=&cad=rja&uact=8...hTMwdiU-FzJsCJ I have a fair bit of experience with Minolta bodies. This started in 1982 when I inherited my grandfather's SR1 with 55mm f2.0 PF lens. I loved the camera. Big, not too heavy and nice shutter mech. Various Minolta bodies have followed over the years XG1, X700, X500, XE1/7, XD7/s, XK, SRT101, SRT303 and CLE. I still own the SR1, SRT303, X700, XE1/7, XK, XD7/s. Frankly they have been a mixed bag. The XD models are very nice and have proved reliable. The XE ones, although having sublime handing, less so. The XK is a beast. Too heavy and fiddly and not as well thought out as its competitors of the time the Nikon F2 and Canon F1. Contax RTS and Nikon F3 blow it away in my experience as would a Pentax LX. Still very nice though. The SR1 ploughs on but could do with a CLA as could the SRT303. The SR101 and X500 have developed faults which, though the cameras are still usable are frustrating and not economical to fix The XG1 has died but the X700 still keeps going. The CLE is an odd fish. It's nice but has no metered manual or AE lock (like the budget XG1) so can be inconvenient to use but has off the film plane metering (cutting edge at the time). It feels very light and gives the impression of not being very robust. I seems expensive for what it is. TBH I prefer using an Olympus 35 RC instead as a rangefinder. The best ones to actually use are the XD and XE models. Super smooth operation and great in the hand feel. However they are now very old and the XE line electronics no longer reliable.
Some of the Minolta lenses are very nice for film and still reasonably priced. My favourites are MC 35mm f2.8, MD 45mm f2, MC 58mm f1.4 and MD 85mm f2.