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Perhaps it is relatively safe to do with the old MF glass? Leica should be in more trouble with their glass but seem to get away with it."
In my experience I find that lens sharpness has little to do with the appearance of moire, pixel pitch seems to be the biggest contributing factor.
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Just look at a frame from a 1536x1024 K-7 video."
the video from the k-7 is not super sampled therefore aliasing artefacts are going to be much more common with subsampled video output....besides video is a feature on the K-7 that I could live without, though live view certainly does come in handy.
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Demosaicing algorithm. It is much more challenging to write a good demosaicer for a weak AA filter. But progress has been made in this domain and e.g. Leica and Hasselblad claim to recognize and eliminate color aliasing in their firmware demosaicers. Pentax does not claim so."
though considering how often pentax announces such features, I wouldn't be surprised if they have developed such a thing.
at any rate I have explored techniques to combat moire both in camera and on the subject. capture one has a very good moire reduction tool, I am uncertain if Light room 3 has similar functionality but C1 does a very good job of it, despite their less than stellar DNG profiles.
one of the simplest ways to prevent moire is to stop a lens down to the point where such fine details are blurred from diffraction. Either that, or ask your models to avoid wearing certain fabrics.
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Canon EF-S lenses cannot be used on the 24x36mm cameras, because their rear-element design would "interfere" (i.e. collide) with the mirror. I believe they cannot even be mounted on these cameras."
you're correct on that point, though i wouldn't be surprised of Canon alters their lens mount...again, to enable EF-S lenses.
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you can order the 645D with or without an AA filter."
gee thanks Falk, now I'm going to have to order two of the blasted things...
Last edited by Digitalis; 06-10-2010 at 08:06 AM.