Originally posted by philbaum I agree with ghelary. We have 3 professionals in our 70 member camera club, one is still using a spotmatic (but has a nice contract to decorate a hospital, one is shooting a single Nikon APS camera with a coupla lenses and using them for weddings, senior photos (probably can't afford to upgrade to a D300, much less a FF), the third professional teaches photography and is using an aps camera as well. The only owner of a FF camera in our club is a retired amateur with a Sony A900. There are 5 Pentax dslrs in the club, none of them newer than a K20D. There's only one person in our club thats been talking about upgrading to a FF, and now thats on hold for personal reasons.
I've got nephews and nieces that have lost jobs, others are not buying anything now for fear of more layoffs. so my question is: where is all this money that's going to pay for the new FF cameras that Pentax is going to come out with.
Sure, there will be a Pentax FF eventually, but i don't see any business reason to bring it out this year. Europe's economys as well as the US are mostly on shaky ground the last i read.
I would like to have an upgraded Kx with a QUIET shutter. good AF wouldn't hurt
oh yeah, a plugin for a shutter cable. FF is not going to happen this year.
I am a professional for 30 years now and shooting, besides a whole lot of marvelous but aged analogue gear, a K20 and a bunch of DA limited lenses.
I am currently working on three books for two publishers (book number 41 it due for September) certenley not the best payed jobs, oh no, but I do like it.
The things I can do with this 'simple' equipment does not have to under do compared to what the so called super Canikons can do.
The way the pictures are shot are the first 25 % of the job, the sensor is an other 25 %, the lenses are 25% too and the resting 25% is what you are able to do in Post Processing. No, not the 'tricking' in PhotoShop, just the plain and essential work that can be done intuitively in Light Room (or Aperture). And, of corse, a lot of experience I had the chance to acquire in the analogue times plus the even so essential 'Fingerspitzen-gefuhl'.
I am happy that the (arriviste-) amateur is buying all that over priced top of the notch gear, this is giving a chance to the manufacturers to pay for the R&D, controlling production costs and to survive the long lasting economical crisis.
The Pentax stuff pleases me, not only due to their qualities, but also because of their low-profile imago, keep it simple…