Originally posted by Ash Sorry, wrong again IMO.
Photo enthusiasts are just that - they're not video enthusiasts as well. Those who are both would not be settling on a dSLR for video work. I'm sure Pentax were cognisant of producing a flagship model without video and so included it to at least remain on par with competitors, but again, it's not the primary reason enthusiasts go out to invest in a mid-level dSLR.
I would beg to differ. I and many people I know are photo as well as video enthusiasts and many of us just don't have the money to buy a great DSLR as well as a great video camera. The prices of video cameras are particularly prohibitive; a camera that offers comparable creative freedom to VDSLR's can easily cost 10 times the amount of a K-5, D7000 or 7D.
Out of these three only the K-5 doesn't offer manual video control (which, as I've said many times, is probably one of the simplest things to implement) and that, for anyone hoping to us it as a video camera, is a major letdown.
Don't get me wrong, I absolutely love almost everything about my K-7 and I am pretty sure the K-5 is going to be terrific to use as well. For my taste Pentax DSLR's have by far the best ergonomics and I absolutely love the IQ, even in video. It has this really organic and natural feel to it, while the video on a Canon for instance usually comes out too smooth and artificial.
That's what makes it even more disappointing. I really don't think the lack of 14bit RAW, small buffer or 1/180 x-sync are big problems. These are all very specific use attributes, which all would probably raise the cost of the camera substantially (buffer requires expensive hardware for instance). Video AF is also not a big deal, as it would be very expensive to develop and implement. Also, AF is a function mostly used by parents filming their children or trips and the like; even the cheapest HD cameras (like a 150$ flip) are much better suited for that than any DSLR.
Manual video control however, is a much different thing. It would quite literally cost next to nothing to implement and would not raise the price of the K-5, but to people who care about video it would be a world of difference.
What we have now is an excellent camera with a crippled video mode, which video enthusiast will skip without thinking and turn to another brand.
What we could have had, is an excellent camera which is also a powerful film-making tool which many enthusiasts would seriously consider as a contender.
All that difference, for a trivial improvement.