Originally posted by Ray Pulley Hey Falk,
...
There is a Hoya patent that
Here's a link to the Patent:
Digital camera
The IX+ AF system might not be exactly as described here, but the color sensing element seems to fit this description pretty closely.
Ray
Ray,
thanks a lot for the link. I must have missed it when it was first posted
I'll have a deeper look at it. But one thing seems to be pretty clear:
The AF+ system assumes a colorimetric sensor (#17 in the patent) which is located on top of the eyepiece and exposure meter (#16 in the patent). However, #16+17 require an aspherical condenser lens in front of them (#15 in the patent) which the K-5 lacks. It is very similiar otherwise.
As I said, I now believe Pentax merged #17 and 16 into a metering CCD and made #15 spherical. Which means the colorimetric sensor sees the focussing screen image. Which in turn means a Katzeye may affect focus beyond exposure
The sensor #17 in the patent is describes as a global light color sensor. That's a bad idea anyway because such a system makes the hidden assumption that overall light color and edge color are the same. That's not always true though.
Nevertheless, I herewith promote hypothesis to theory: The focus shift is caused by a low reading of the colorimetric sensor which is hosted above the eyepiece and performs proportionally to the max. aperture of the lens which, in turn is proportional to the focus screen image overall brightness rather than edge brightness.
I am allowed to do so because the hypothesis predicted the +sensor to be outside the AF module and the patent (which I wasn't aware of) now confirms it.
This means that the fix shouldn't be very hard: If the reported calorimetric signal (brightness) falls below a given limit then it must not be trusted anymore.
There is an interesting corollary for studio shooters: a low key situation with a dark background may not send much light to the calorimetric sensor, even if the required EV value is high.
Therefore, studio shooters should currently not use the K-5 phase AF for low key photography except if combined with primes faster than f/2.8 and/or an external daylight focus assist light.
In retrospect, this explains what I see in the studio myself. Most of my studio AF misses are low key with a zoom.
A well lit feature makes the AF lock focus confidently but a dark overall illumination makes the colorimetric sensor send it off 250 um. Theoretically, it should then be possible to construct a scenery which front focusses at almost
any EV value.
Last edited by falconeye; 03-01-2011 at 06:07 PM.