Originally posted by magkelly I started out my serious shooting with a Fuji S7000 bridge camera. It was a very good camera. It did annoy me not being able to change lenses once I got a bit more experienced with it. But it did shoot RAW and this was like 8-9 years ago. Bridge cameras like these are good for people who are ready for more than a pocket P&S but who aren't quite ready for swapping out a bunch of lenses. They give you a lot more control than a smaller P&S does but they're not as confusing as using a DSLR with proper lenses can be to people who haven't really used anything but a pocket cam before. They're also usually darned good at macro. I miss having my Fuji sometimes still when it comes to that. I can get basically the same or even slightly better macro shots that I got with my Fuji but I usually have to work a fair bit harder for it on my DSLR than I did on my S7000. I don't want to step backwards but I don't knock cameras like these because I know they can actually be really decent cameras.
S7000 was a really good bridge camera (i sold more than a few)
They do have there place for people at that point like you were, and in many cases that will satisfy there needs for the long term. Most people don't make anything remotely resembling art with their cameras, they just want to document their lives and capture memories. a bridge camera lets them do a better job of this. for the more basic level for most people the cell phone will cover what they need as they continue to evolve, and the bridge camera will be there go to for family events, vacations etc. with the phone being the day to day camera
the people who get enthusiastic from the bridge camera crowd will move up. If the bridge camera was a pentax and they enjoyed it they are far more likely to move up to pentax. That is why they are still competing in this category. letting the other PS category revert to ricoh makes sense because that is the dying category and supporting 2 product lines there makes no sense