I've been earning a living and paying my bills in this industry for over 30 years. Things slowed down a bit when digital finally became better say around 2007 and many clients were going to colleges for credit line only payment deals with students. Things have picked up more since 2010 when some of those clients found out you still need a good camera operator. I really don't know what to say about the 2 new K5 versions, maybe the s will have outstanding resolution with no AA filter, but the AF tracking should be on par with any Canon or Nikon, they should have gave it 24P video, not stay with 25P PAL, 11 AF points isn't really an issue as long as they work like a Canon or Nikon system. Sure it's APS-C but even at that the original K5 image quality was fine and the 5 foot prints I made from it looked fine it's just missing a few small important upgrades that maybe would have put a few more smiles on people instead of frowns.
Digital isn't film, it was never like film, it will never be like film. It's data converted into an image, there's issues on all levels from capture to archiving. Using multiple camera systems I was actually impressed with the high ISO images that came out of the K5 compared to cameras in the same price point. Looking at the new introduction prices, you really can't complain on an image quality level when doing a dollar for dollar comparison.
Canon and Nikon have the AP and Reuters using their gear and that's a lot of profit, they have larger R&D dollars, they larger advertising dollars and all that adds up to a larger user base.
For the working Pros who have dealt with the hush hush . . . don't talk about dust on the sensor cover ups, RAW file processing compatibility, other secret problems and bad pixels that effect all digital imaging devices no matter how expensive they are. Yep your software . . .well some software will magically map them out but it doesn't map them out of the sensor. I had a D3 delivered new and it had 27 bad pixel sites. No big deal Nikon mapped them out under warranty and with my so called Pro Service it took 10 days. Now fast forward and guess what? . . . now you have to pay for this service which they recommend you do at least once a year at $300 to $350 from what I was told. I won't be held hostage to be forced to pay for stuff like that. I never had to send in a film camera for calibration.
Now look at Pentax and Olympus. They both offer in camera pixel mapping. Don't know what that is? . . .
Go over to the Olympus web site here (
Ask Olympus: What is Pixel Mapping? ) and see what they say about it.
This happens to be a feature that outweighs a lot of other features like the crippled video and boggy AF.
OK . . . so that's not enough? . . . . Take a look at the DNG RAW format. Yeah the PEF is great, but should DNG and upload it into Lightroom and if you have a bad pixel it gets mapped out automatically. it's a good RAW format, Hasselblad and Leica have it combined with their RAW formats. Canon shooters are forever trying these mystery fix it methods like take the lens off do sensor cleaning blaa blaa blaa to map out bad pixels. Canon makes some great gear, but lets face it, this is our paycheck and image counts. It's a nightmare to use the plugins to map them out of video.
So that's my rant for the morning.