Originally posted by jeffkrol Not judging the quality here but I am looking for a solid reference that, even going back to modern Minolta (right before absorption by Sony) that Minolta in fact even made their own lenses for DSLR's. As far as I was aware most were Cosina, Tamron ect... but labelled Minolta.
Re: Hoya to focus more on lenses: News Discussion Forum: Digital Photography Review "This question has been already asked when Minolta was still alive. I think the 70-200G and 300G were the last SLR lenses made by Minolta engineers and both designs are at least 6? years old."
Personally it really means little and in effect, gives Sony a 1 up since Cosina ect. still produce FF lenses... but I'm more curious in the Minolta myth......
Personally I think they did a good smoke and mirrors job but I'm willing to admit I'm wrong.
Jeff,
You are very correct. It is no secret that many of the new Konica-Minolta lenses were in fact rebadged Tamrons. The 28-75, the 11-18, the 17-35, and maybe even the kit lens (18-70) were most probably Tamron rebadged lenses. Minolta did their own coatings, and some of these lenses were even manufactured in a different country than Tamron's, but the basic design was Tamron's. I think the last real Minolta design was the re-designed 35/1.4 lens that they announced but never released (Sony released it in its first batch of lenses). But these were not the lenses that made Minolta famous. The real Minolta lenses were the "G" lenses from the 90's. True, they are old designs now, but many are still as good as the best out there (L etc)!
Looking at the lenses released by Sony, it becomes apparent that they have been aiming at full frame right from the get-go. Most of these lenses are Minolta classics, and I think Sony only brought over 3-4 Tamron rebadged lenses, and most of these are either in the kit-lens range, or the super zooms (18-250). They didn't even bother to re-badge the Tamron 17-50/2.8 as many had expected. In addition, they have already released a few new lenses (85/1.4, 135/1.8, 24-70/2.8, 16-80, 16-105, 70-300G, etc.). These are all modern designs. Now it is not clear where these lenses are coming from. It is possible that they are lenses that Minolta was working on in it's dying years. Or they could be entirely Carl Zeiss designs. There is also a possibility that these are Tamron designs exclusively for Sony (Sony does own a big chunk of Tamron after all). But whatever the case, they are as good/better than anything Minolta produced.
Anyways, my point was that the quality of lenses is probably the last thing Sony would have to worry about with full frame. I think their biggest concern would be getting down the prices on some of these beauties