okay, so the consensus has been reached, the votes are in, the jury has decided. this means that i will probably make a lot of friends with this post
, but for the sake of the thread starter, i will take the risk anyway (the courage, the dedication to the comunity, and stuff. please remeber these words when you order the plate, you know, the bronze thinggie under the statue).
i have read your question carefully, and the replies here. as usual, you got the honest and un-constipated sound advice you would expect from this forum (no "stay with pentax, pentax loves you, pentax is the best" or "go away. pentax sucks, go away while you still have a chance" (ricehigh aside
), but reading all this, i noticed most people had a very good point of their own. so instead of placing my vote right away, and saying "i shot rally with my minolta srt super, my praktica mtl3, my nikon d50, my k100d, and almost all shots i missed were _my_ fault" or "i shoot a canon 1dsmk1003, custom built, and tuned for every and each event, just like the cars i shoot, and i could not get 10 shots to be worth a penny without it" (for the record, the former is true, not the later
), i tryed something else on: your shoes, that is.(only figuratively speaking, it's okay, your shoes are fine, where you left them)
the matter of the fact is you are not that canon/nikon shooter with a vest with "PRESS" in big bold letters on it on the track, you don't go home after the competition, tired, beaten up, thinking you have to send the pictures to the damn paper before you can get some damn sleep, and how photography was so much more fun when you were just...having fun (okay, that was mean and unnecesary, but you get the point ). for you, it's pure passion, nothing could mean more: it's your wife that you love, worship, and who happens to be so damn cool! it's not an athlete, you are not shooting some crazy guys running their ass off on the track for no apparent reason and than gasping for breath, becaue you need to sell some pictures, _you_ wake up in the morning aside an athlete, you share most of your time with one (not to mention the proverbial hopes and dreams). i think that's what makes the huge difference. it sets you appart, because what you can do, nobody else on that track can: when that start gun goes off, you don't see who's in the lead, or care, you don't shoot the first three, you don't shoot the one who might have an accident for the sensational, there is _one_ subject on the track for you, and you know her more than anybody else, and you almost run with her to the finish, gasping for breath as she does when it's over. i envy you, this is what can make the difference between greatness and workmanship. those guys with the vests, i have a lot of respect for them (and some of them might even have quite a lot of pasion for the particular sport, make no mistake), but none of them has what you have. you have the chance to study your subject, know it's every move, how she will look on the split second just before she jumps, and so on. you have a a long-term study on your hands, and have all that's needed to achieve something rare: you have the gear, you have the skill (and can get more with practice), and, what's more important, you have the passion. you have what it takes to care about the background, to plan a particular shot you want to get and hang on the wall, because you know how and when to get it, this race, you have the time and the knowledge, and you have the motivation. you get my point.
what i have found while shooting motorsports (mainly rally), is that i can kick anybodys ass (mine included) with a point and shoot versus a high end dslr (or whatever you want), if: i am motivated, i know what's going on better, and understand, i know the track _well_ (location) and/or i have a pilot who knows the track who can and will help me and explain. anybody can do this, few people actually do. it's not easy: light matters, hour of the day matters, weather matters. does the gear matter? of course it does. i will not say i don't see the beneffit of instant preview since moving to digital, or autofocus (never had it on film, it kind of came bundled on digital ), though i still find myself prefocusing, or even using manual focus. but what matters _most_ and makes the differnce, i outlined above. does fps matter? sorry, but here i won't be as politicaly correct: no, it does not. now let's see why: 5fps, 1/250s shutterspeed (a decent one for stopping the action, though it will easyly go to 1/1000 and still prove insufficient, for fast motorsports and long lenses). there are 250 possible shots in one second which you can take at 1/250. you take 5, or you take 3. uhmm.. still the lottery. fps matters when in the evening you send the photos to the publisher/buyer, and you need to have a lot to chose from, in focus, and at least one for each participant would be nice also. these are not keepers, i did say in focus, sharp, and well exposed, not keepers. this is workmanship. i repeat, i mean no dissrespect to the pros, they are extraordinary people with a job which is certainly not so ordinary, to say the least, but you have a lot more going for you than a machine gun: you have your heart on the racetrack, and more information and inside understanding of the sport than they probably ever will. now, if there is one second which is worth getting on film by itself, every piece of it, fps might seem very usefull (like, from lift off to landing in a jump), but is it really like that? and if it is, why not have your son/best friend/insert-option-here assist you with a proper video camera, like a panasonic 3ccd or such, which is dirt cheap these days (they will love it, and you will also).
my humble oppinion is: forget about fps, know what you shoot, and don't try to be a pro, when you can be so much more: this is not just a job for you, for them it is all it is. it's not bad or good, it's just different. so drop this ugly ducklin syndrome, go out there and try be what you really want to be: if you want to get _great_ shots, work on that, if all you want is a lot of shots, and to document the event, by all means, fps might do the trick. the best bird shooters are, as far as i could tell, people who know their birds better than the biologists which invented them (pun intended), these guys might not know what they ate for lunch, or remember if they ate at all that day, but they sure as hell know what that bird they are shooting has eaten yesterday, what it will eat today, where it will go to find the food, at what hour and what the light will be like today when this happens (event: morning lift off), i think you get my point
but the question still remains: do you need a canon 40d, nikon d2h, d300, d3, canon eos 1ds#$%^ (sorry)? i really don't know, to be honest. we would have to see your pictures and hear your actual complaints about what problems you have found with the photos you brought back home, and while shooting in the field (slight slap on the wrist for you here, you were not specific enough on this point), do try to rent or borrow one of those cameras and try them out (don't go to the actual event with a new, unknown camera, go at the horse races, or soemthing, be imaginative
).
after writing this novel of a post, i must remeber to appologise in anticipation: i might be waaaay off, and have missunderstood you completely. sorry for wasting your time if i have, hope you will still find it a fun read, at least
now for the grand finale :-P: you guys (everybody) got me so intrigued i cannot put it in words. i dare anybody with a canon 40d or similar (or better) to join me at a race (rally, even racetrack -- though i find those rather boring, they are easyer), and see what we both have at the end of the day. no rules, no constraits, no keeper ratio bullshit: how many and how good, after the initial self-censorship. everything matters: composition, colors, you name it: we are talking about the final picture, not in how many miliseconds the focus ring will revolve by 90 degrees. i used the word "dare" not because i think i will kick anybody's ass, but because i meant it: i _am_curious, as i still believe somebody might turn up with a powershot or a cmena and kick my butt (and i will never shoot again, and be a human wreck, and so on). this is not meant as a contest, but as a "scientific" experiment, i really honestly am curious. the invitation extends to pentax shooters btw, it's allways fun to have somebody to share thoughts with (i am not even talking about shooting side by side, or the same race for that matter, just sharing thoughts and critique about this type of shooting is already great)
sorry for the detour to our aussie friend; the best of luck to you, and to your super-wife