Originally posted by grispie +1
myself, i am more interested in a new high end aps-c sensor based camera that covers shortcomings of prior ones...
thinking of movie mode, articulated screen,...
as hobby photographer, i don't see a reason to go FF.
For pentax to compete in professional league, yes...
I've been thinking about this for a bit: in the olden days, we'd buy a camera body and a handful of lenses.....then, miles and miles of film....seems that the camera manufacturer made do alright with that, but it's no longer enough?
Innovations in film technology, and the different types (slide, color print, B/W) made most of us shop around trying different films for the job at hand - and, perhaps, acquire a 2nd body so as to be able to use b/w and slide film at the same time, typically of the same brand as body #1 so as to use the same lenses. And, that was pretty much it, at least for me, until a body physically got worn out.
Autofocus screwed that up, adding "focusing speed" as a reason to upgrade....so I didn't buy into autofocus, but kept using my old manual bodies until digital came along and AF had matured.
Then, there were the different "program modes" offered as upgrade arguments: matrix metering, 3D matrix metering, scene programs, transcendental hypnotic Hogwarts programs, etc. Given that the exposure of a frame of film is, simply, a combination of an aperture and a shutter speed, I figured that all this could be summarized simply into "spot-metering, plus heuristics for letting the camera guess (often wrongly) which spot to measure". I did get the epiphany of spot-metering from reading Ansel Adams, and so acquired a camera with a built-in spot-meter (Olympus OM 2s/p, I think it was around 1984), and I've stuck to that form of exposure ever since.
Yeah, I'm probably retrograde....or a slow learner....
Digital made for a certain necessary upgrade cycle, as sensors improved from "really bad" through to where they are today - which is pretty good, I'd say on par with most of what could be gotten out of film.
I've got an istD - nice camera, but I did run into its limits. It was the early days, and I had half-way expected that, but I got a lot of great photos from that and love this camera dearly, still. I got a K10D as soon as it came out, which I love and where the limit for me isn't the camera but the photographer. I picked up a K-01 mostly for its size, but also to have a 2nd body. There, too, the limit isn't the camera but the photographer.
If a Pentax designer sat down and asked me what I'd change in a future K-mount body, I'd talk about ergonomic issues, connectivity issues, and other "usability things", in particularly paring down a lot of what I consider unnecessary "bells and whistles": programs and scenic stuff and digital filters etc.
For example: I loved having the shutter speed ring around the lens mount on my Olympus OM bodies, would like better EyeFi integration and the ability to charge batteries whilst inside the body (& via USB), and a huge in-camera buffer would be great. Preserving spot metering and RAW is a given.....and I'd likely request all the digitial-filter-jpeg-whatnot-magic be removed, as it's just adding firmware complexity
Even if said Pentax designer build such a body, it'd have to be darn cheap for me to feel a reason for buying it, though. Just like with my good old manual film bodies, I'm feeling that I - not my camera bodies - now am the limiting factor in my photography.
So, just like in the film-photogoraphy-days, I am not really sure that I'm the target audience for any new Pentax camera bodies.
I'm pretty sure that there are those who need faster AF, or more pixels, or a full-frame sensor - but, I do think that given the current state of things, those are a minority.
Now, there may be something to be said for the marketing aspects: having "hard-core pro's" use BrandX may be what excites "Joe R. Consumer" to also want to buy BrandX -- as I said in another post, I'm just a lowly engineer and not well versed in such matters. I should hope that Pentax would have hired somebody who is, though.
Now, if Pentax wants to talk lenses, then I'm all for it: a 135/1.8 or 150/2 Limited would sit very very well with me, and I'd gladly pay a premium especially if it'd be compact