Quote: I see all the same, rotten things in traditional arts teaching classes: teachers advocate certain paper types and paints and brushes given to them by their sponsors, although there are many others equally as good, if not quite better art materials.
I see the same thing with the Mac/FCP bias in university Media lecturers, who follow the crApple party line of superiority, because they've been supplied nothing but crApples to work on.
Show them a PC running GV Edius and they're lost. Show them how much faster you can edit on it, and they'll tell you that all work needs to be handed in in FCP project form for grading,... Rather then them trying to understand other NLE's.
University Lecturers world wide are insular and closed minded, they recommend what they use, because it's all they know.
Quote: . They had the disastrous proprietary "Beta" video recording system that lost.
Only on the domestic market. BetaMax was a failure, BetaCam, BetaCam SP, BetaCam SX all dominated the broadcast industry with unquestioned quality in SD production.
Panasonic and JVC competed okay, but it was really the digital age that leveled the field in broadcast.
Quote: I recall that at one time if you played a Sony (Columbia Pictures) movie or television or music CD on your computer it installed a Root Kit that "Phoned Home" to Sony everything it could find out about you on your machine.
Yep, that's where ALL Root Kit malware owes it's existence too.
Overall, I think the Ricoh vs Pentax thing will work out something like the Fiat vs Chrysler merger.
When Chrysler was with Damiler-Benz, there were a whole heap of internally competing models of vehicles they were building, so they were taking sales away from themselves internally.
With Fiat and Chrysler, there is no models that compete directly, Fiat gets access to large vehicles, Chrysler gets access to small cars, and they share the dealer networks to save money for both companies.
Now, if Ricoh was to use the Ricoh brand for all the point n shoot consumer cameras, and the Pentax brand for all the MILC/DSLR/FF/Large format cameras, they would have no marketplace conflicts, and the Ricoh models would benefit from all the advanced design work done for the 'pro' models.
Which is also kinda like the whole Teac/Tascam/Yamaha set-up in the audio industry.