Originally posted by audiobomber Comparing at different resolutions is problematic
Yes. More MP on the same sized sensor means smaller sensels. For the same level of sensor technology, small sensels are individually noisier than large sensels. But if you were to print out the same sized output images, say A4 or 11"x8.5" sized prints, then more sensels reduce the overall noise level. So, if the fill factor is the same (how much of the sensor's surface is actually capable of generating a signal from the light, rather than "wasting" some of the sensor's area with connecting traces and other structural elements, both trends tend to cancel out. In the old days, when fill factors were low, more MP meant overall noisier images. But today, with very high fill factors due to efficient micro-lens designs, there's not much in it.
To test this assertion, compare the DxoMark SNR 18% graphs of the the D7100 vs the K-5II:
Compare cameras side by side - DxOMark
Look at the SNR 18% curves. These show the shot/photonic noise performance of the sensors, and are a good indicator of the sensor's QE (quantum efficiency). The "Print" tab shows the outputs normalised to the same printout size, and the two curves are very close. Now click on the "Screen" tab and you are comparing the same number of MPs (like 100% pixel peeping) and you'll see a difference in noise performance due to the smaller sensels: 3.9µm vs 4.75µm distance between the centre of each sensel.
It comes down to how you want to use the extra MPs. If you want to produce a proportionally larger printout with the the D7100, and look closely at it, then yes, it will appear noisier. But if you use the extra MPs to increase the fine detail in the same-sized printout, extra noise should not be an issue.
However, there is a flip side to this. While the extra MPs means you can crop an D7100 image more,
for the same number of overall pixels in the resultant image, the D7100 image will look noisier than a K5II image.
Finally, there's an argument that, for the same overall image SNR, since smaller sensels produce smaller sized "grains" of noise, the noise is therefore more film-like and thus more aesthetically acceptable. This assumes that the two cameras have the same ratio of luminance noise to chroma noise. Many designers more heavily filter the chroma (colour) noise as it's more noticeable, and the loss of colour resolution caused by the filtering is unlikely to be noticed. The luminance (B&W) noise is less objectionable than chroma noise and heavily filtering it tends to produce a noticeable loss in resolution.
Dan.