Originally posted by Frater
In short, it is a F8.0 lens, because the edge resolution is getting worse wider open quickly, until "The image quality in the area near the maximum relative aperture is weak".
If your only criterion is edge-to-edge sharpness, you would be better served by the Tamron 17-50.
The central sharpness of the DA 20-40 is high (over 40 lp/mm) at all apertures until diffraction sets in.
Originally posted by Frater
At F8.0 it seems near to my Kit (18-55 II), except at the short end's edge area, where it is better. That's decent, given that it doesn't have an aspherical element AFAIK
Although the lens' designation does not include "AL",
there is an aspherical element.
Originally posted by Frater
On the "Coma, astigmatism and bokeh" section, the 18-55 II seems to have better defintion and compactness of the LED light in the corner. That MAY suggest, that the 20-40 has a resolution drop between the edge and the corner, which doesn't show off in the resolution chart (because they measure edge resolution rather than corner resolution there).
According to this argument, your kit lens would be better that the FA 31,
whose coma appears to be more severe than that exhibited by the DA 20-40.
Originally posted by Frater
The 18-55 II seems to have better contrast rendition, in terms of deeper dark tones (as far as the different pictures can reveal?), where the 20-40 looks pretty washed-out.
This depends on the processing.
I have found the rendering of the DA 20-40 to be excellent,
leagues away from the muddy rendering of the kit lens.
Originally posted by Frater
For me, I'm not upgrading from my 18-55 II kit to the 20-40 (unless its price would be line with the Tamron 17-50, which has a different mix of advantages/disadvantages of course).
The Limited lenses are not for everyone.
Personally, I like this lens better than my Tamron 17-50,
but your criteria may well be completely different.
Fortunately, most of us have a choice of which lenses we can mount on our cameras.