Originally posted by starbase218 In theory, you are right, of course. And the DA 70/2.4 is razorsharp at f/4. But - and this is a big but - it would never have been f/4 anyways. Plain and simple because it's not interesting commercially to make an f/4 lens when it could have been f/2.4. Sure, you give up some sharpness, but you can say your lens is f/2.4, and that helps it to sell. Also, absolute sharpness helps little when you don't have enough light to use that f/4. Then you have to bump up the ISO, and you may lose sharpness because of that anyway. Or when you want better subject isolation. A big aperture is a creative tool as well.
Being a niche player, Pentax has one privilege rarely bestowed to other who are bigger and must play safely and predictably: they may satisfy true photographic indulgence of photographers looking for real art in images — not solely for the sake of super fast apertures, nor MTF charts.
It's the psychological and artistic quality of the image that is then explored. The reason I mentioned DA70 is not because its f4 is sharp. It's because that lens is a rare gem in digital photography, and especially f3.2-f5.6 renders such pleasing images it takes my breath away every single time.
Every company must do some compromise. Say, Leica must aim for fast lenses because they don't employ SR and their buying choices of sensor technology are limited. Zeiss does fast lenses too because they design lenses across systems, and they rise prices exponentially whenever excellence in the performance must match the apertures. Then lenses grow in size and price.
And when judging Pentax lenses, we shouldn't forget the SR. It allows us to buy that extra stop or two we wouldn't otherwise get, and in return bless us with a lens that is still pocketable, but comes with no compromises when it comes to its artistic performance, nor with a huge price tag.
The SR is a core value of the Pentax brand in the digital world. It gives them justification to do what they do best and to even better it, to be unique and deliver lenses that are nothing but true little gems. And today, SR gives them even an AA edge. Thus, I see them as a brand that really understands what is its inherent value, and are building on it. It is a different kind of a compromise than everyone else takes, yes, but the nature of that Pentax compromise I like much better and I'm willing to support them.
I think that is essential for users to understand; asking for a A. fast, B. small and C. excellent performing lens across all apertures in one lens is impossible. We can claim only two at any time, not all three.
Which two you pick? That is called a compromise.