Originally posted by JimmyDranox
I've read the firsts 20 or so comments, there is none explanation for this. But this number, 31% aborted for Sony A7R is very different than others, like Nikon D610, with 10%, but very close to Sony A7, with 26%
I think much of the turnover rate for the Sony FF cameras results from the fact that many people bought it with unrealistic expectations. Compact FF mirrorless sounds good in theory. But in practice there are huge challenges, many of which have not well met by Sony, which is an engineer-centric, rather than a photographer-centric, company. As with the original NEX system, Sony inexplicably believes that all you have to do to make a compact system camera is to make the camera as small as possible. The lenses, meanwhile, have to fend for themselves. So you end up getting a small camera paired with large lenses. The promised 70-200 f4 weighs over 800 grams! Even the primes are rather large, considering their apertures.
I find the Sony A7r to be a particularly cynical product. Instead of pursuing photocentric values, the camera plays on the prejudices propagated by the gearhead crowd. In some quarters, the words "mirrorless," "full-frame," "EVF," "compact," "high-resolotion," "megapixels" take upon the glow of holiness. In the historicist fantasy propagated by the gearhead crowd, mirrorless and full-frame are
The Future. Old school photographers who stubbornly prefer DSLRs are pathetic reactionaries who are standing in the way of "progress" and who deserve the humiliation of a force march into the brave new world of the All Digital Camera. The A7r is sort of the ultimate gearhead camera. It checks on the gearhead boxes: mirrorless, FF, EVF, high megapixel. It features impressive technology and is capable of achieving gaudy numerical specs in tests. But as an actual tool for photographic ends, it's deeply flawed. Sony never really did the math on the photographer's experience with the camera, on issues revolving around handling the camera in the field. A 36 MP FF camera is often seen as a landscape photographer's camera. The problem is, most landscape photographers shoot with zoom lenses on tripods. You need the highest quality FF zoom lenses to take full advantage of that 36 MP camera, and those lenses tended to be quite large. The Nikkor and Canon FF standard f2.8 zooms weigh around 900 grams and don't feature a tripod mount. Try mounting one of those lenses, via an adapter, on an A7r, and then mounting that tiny camera on a tripod. That will prove a very cumbersome combination. Nor will it be saving you that much weight, since you still have to carry the lenses and tripod.
Some photographers get conned into buying the Sony A7r because, on paper at least, it's a stunning camera. But once they get a chance to use it they quickly learn that, due to the size of FF glass coupled with poor design decisions, the camera doesn't handle well in the field, that it's really a camera best fit for those who like using old glass via adapters and who are, ipso facto, more open to working around handling issues, then a reevaluation becomes necessary. Add the slow AF and the misplaced shutter button, and you're bound to have a higher turnover rate with this camera than with other, better designed, more photographer-centric cameras.