Originally posted by SyncGuy Hmm.... Makes senses and that's why i state that the Pentax brand is mostly targeted to landscape photography, as was stated in the interview, due to the want of larger DoF.
And yes, separation is the quality of the background but when you're stuck within a 5m by 5m space and wanting to shoot full body length portrait, then what? ;P
PS: Once again, i am NOT bashing Pentax.. I still love using my Pentax but sometimes i would like more flexibility in DoF control.
Ah no. The aim was not to make DoF any larger than on an FF camera, but same for starts. However, it's the characteristics of the OoF of the image taken with an APS-C camera and its lens
that it appears it is more suitable for landscape. That is
a hidden assumption, which has taken its toll in people's minds so they by default think "the APS-C is for landscape". And they never learn anything more than that.
'Slower' maximum aperture on an APS-C Pentax lens evens out the inherent DoF disadvantage APS-C camera has, and makes focusing mechanism in the camera equally capable of acquiring a well focused photograph as the FF camera (which has more leeway and room for mistake due to its 50% larger DoF using same aperture).
That is the concept that, for some odd reason, baffles
reviewers, especially PF here, as they compare keepers rate of the Pentax APS-C camera and Nikon FF camera, using the same aperture and draw
wrong conclusions about the quality of each company's autofucus technology.
Most people confuse DoF (which is the distance around the subject in which one can get well focused details), with visual characteristics of the OoF (the gaussean blur visible before and after the DoF distance). The OoF characteristics has little to do with the DoF itself (using the same aperture on same fixed focal length lens, an FF camera has
deeper DoF, not shallower, yet the OoF looks more blurred), but with the optical design of the lens for an imaging format and
the transition between the DoF and OoF.
It's the special compressed quality of space
of the transition area between the DoF and OoF that makes people wrongly conclude FF has a shallow DoF.
The larger the imaging format, and better the optical design, more control one has over the characteristics of the DoF to OoF transition and the quality of the OoF itself. That is why MF cameras are still in the game and no FF or an APS-C camera or lens can ever reproduce the visual quality of images taken with an MF camera and its good lens, the quality which usually blow people's mind. Especially in rendering
the transition between the DoF area and OoF areas, we usually cannot even guess the distance of the subject from the camera and it has such a baffling and interesting visual quality that it looks magical.