Originally posted by DSims Fuji only gives you quality options. You may choose between very good and excellent. That's the right way to do it - they can only bring out so many new lenses each year, so they make each one of them good.
Apples to Apples Fuji isn't more expensive, but in some cases now Pentax is.
And Fuji is bleeding money from their Imaging Division according to their latest stats.
One of their talking points was that their P&S offerings (second only to Canon in gross unit sales) has withered and not as many high end sales have materialized.
It is extremely difficult to create a mount that is sustainable without budget offerings. Fuji's glass is not only expensive relative in the whole cost of system ownership, it is large and heavy in many cases, especially compared to Pentax primes. This wipes out some of the body volume size advantages.
For example:
Pentax K-x = 581g
Fuji XT-1 = 440g
Canon SL1 = 407g
Pentax has IBIS. Many would argue the Fuji requires the added grip.
Fuji 56/1.2 = 405g
Pentax DA*55/1.4 = 375g
Fuji 18-55 OIS = 330g
Pentax DA 20-40 WR = 283g
Pentax has a line of slightly slower primes and zooms, some with WR, and all very well-built and lightweight. Pentax has a more portable lens array than any APS-C manufacturer.
A small body DSLR like the K-x is very close to the mass of a the XT-1...and is 50% cheaper. The volume difference is not so large.
Lets' say Pentax decided to EVF the K-mount as is. They could knock even more weight off so all that is left in volume difference is the flange distance, which is about 170mm. A longer flange has some attributes in that it strengthens the body for longer, heavier glass, giving a cradle to the bottom of the camera body.
Moving to an on-sensor PDAF system will also save weight/volume whether it is OVF or EVF. At this point the DSLR weight disadvantage is the prism and mirror assembly.
And did I mention that K-mount is native FF? The Fuji X-mount is not.
The Sony A7 is about the same size as the Fuji XT-1:
Compare camera dimensions side by side
Don't get me wrong. I like Fuji and their effort. It's very well done (except their lousy, awful video).
But their approach demonstrates the perils of all high-end (lots of excitement but scary pricing and less paying customers than buzz) and the pursuit of fast glass makes for very heavy and largish lenses, obviating some of the mirrorless advanatges outright. The Sony A7 is only $100 body-only right now more expensive.
When I see all this play out the DA 20-40 and the revamped DA Ltds makes sense.