Originally posted by mee Pentax has mentioned in the past year or so that they think photography first, videography.. second or third. haha so I'd would go with whatever system works for your needs instead of wishing for your current system to change to fit your needs.
Thing is that what I wish is for petnax not to loose clients due to some silly policy.
How I see things are if I go, I bring away few clients from Pentax.
How it works: I go away, then my couple friends ask me why I switched I tell them, then they no longer consider Pentax brand for their choice and these couple of friends do not recommend pentax to their few friends. Now count how many people bounce and switch and what effect it has to Pentax sales. Every single person matters, cause that single person may bring couple new clients but also can bring away few more clients. And the rule is this, negative always strikes with the power of 3 positives. I don't know about others, but I noticed that if there will be one negative review of something, that negative review will reach 10 people, if there was one positive review, it will reach only about 5 people. People pay more attention to what bad there is. So when there are people who switch away from Pentax, they bring away few clients and shrinks market share for Pentax.
Samsung finally got it and made a balance, they recognized market of today and introduced NX1 and look at what they achieved, even Professionals now look at Samsung NX1 and few months ago Samsung was the last name to get any look from anyone "pro".
It is all about balance and at this moment Ricoh Pentax doesn;t seem to have this balance, they are extremely good at photography, but lack in video department, and today you either offer a balance between stills and motion or go extreme on one direction. Maybe Ricoh Pentax goes extreme with road with 645z, but then tey overlooked sync speeds for strobists, I just want best for Ricoh Pentax, but as I mention earlier I recognize the needs of the market I am in and at the moment see no other choice then to look for another system. Pentax was perfect choice to learn photography. And pity I will be among those who will bring away sever thousands of dollars from Pentax, cause they will get invested into another brand.
Lets say i spend 5K on pentax, I bring couple friends to pentax, they invest 5k each, I bring 15K to pentax. that is not much but still pay salary to someone at Pentax. Now I go to another brand, these 15K go away, Now imagine, 10 people from my town choose another brand, then from bigger town hundred people go with another brand. And that only because of lacking in video department, and even if the person doesn;t shoot video, this person gives a lot of credit to overall value to the gadget for features he or she will not use, cause they thing what if I will need those, what if I wanna sell it because I will want to upgrade and so on.
Every detail matters and video nowadays is a big detail. But since I am not of a caliber to push a mountain, I will just have to pick another mountain. That is fine, a little bit upsetting but fine. Competition is huge these days and 2014 brought many brands to discover the new generation of imagers.
I just keep fingers crossed that this time Ricoh Pentax will finally break the ice with their 35mm sensor body and will bring in few folks into their system. After the innovations from Samsung and Sony Pentax really needs something to stand out again.
---------- Post added 23rd Dec 2014 at 04:05 ----------
Originally posted by Nicolas06 The control you ask for me make sense.
As for the format to support I already think 4K is a bit too much but it can be justified... In some circonstance the difference might be barely visible with a good 2K. 8K look overkill... I'am not sure if it is not better to get pro quality gear with 2K than average quality 4K gear as 'me too'.
Ultimately I suppose the client can ask for it... Or the producer can sell it... Even if perfectly useless... A little like many consumer camera have more pixel or same than pro level camera even through they sensor is much smaller.
The pro gear has its advantages and disadvantages, not to mention extreme prices of video cameras that would offer what DSLRs can. Of course when you work for broadcast, DSLRs are not the way to go.... That is why I came up with a term bridge imagers, people who need photography and videography in one tool.
Video oriented cameras has very limited photography features as well as their bodies are not very good for photoshooting, while DSLRs somehow managed to make this acceptable form for film making. Panasonic GH4 is the only golden spot with the exception of its sensor, while I am not doing high end stuff for high end market, even I feel the limit of the 4/3 sensor. the sensor is almost there, but APS-C and 35mm sensors are still offering better quality, now if there was a GH4 with APS-C it would be the perfection for so many new generation imagers. a place for Ricoh to look for inspiration?
Sony is doing wonders with their A7s, but at this time Samsung NX1 seems to hit almost the right spot to everyone. Wish Pentax did this.
Honestly I wouldn;t mind if Rocoh Pentax made a rip off of NX1, they just need to leave current photography features of K3, add video features from NX 1 with some better implementation of how it works... 24 megapixels is really enough, connectivity that is on NX1 would also be advantage, and here it is. A camera that makes everyone happy, well most of the folks. But knowing Pentax, I guess they will do complete opposite so that is only a dream...