Originally posted by MrNPhoto If in-camera lens corrections can make older full-frame lenses perform better, then why not provide the feature?
Because it slows down processing and thus overall operational speed. The K3 already offers automatic correction for vignetting, aberrations and distortion, but if you switch all these corrections on the camera takes significantly longer to save the images you take.
Plus it's essentially cheating. mFT images have all these corrections automatically baked in, theoretically allowing manufacturers to sell sub-par lenses that look better than they are because corrections are automatically applied, which of course decreases the quality. Another example is the Sony APS-C 16-50 kit lens. About this lens Photozone notes:
"The native distortion reach epic dimensions at the wide-end of the zoon range. At 16mm it almost behaves like a fisheye lens with a barrel distortion of more than 7.5%. As such it is obvious that the lens was never meant to be used without distortion auto-correction which is available for JPGs by the camera or via Sony's RAW converter.
[...]
The above behavior also applies to the vignetting characteristic. With DEACTIVATED distortion (& vignetting) compensation, the figures are among the very worst we have ever tested (5EV at 16mm f/3.5). The corners are essentially black here. The vignetting remains unacceptable even at f/11 at the wide end of the zoom range."
So Sony tricks its customers into believing they are getting a 16-50 mm lens, when in fact the distortion and vignetting are so horrendous that corrections have to be applied that push the corners out of the image, turning it into something like an 18-50 mm lens. This is pure deceit.