Originally posted by HavelockV That is what Sony does 100%.
For the FE Alpha Mount there basically are only fully rebadged Tamron and Cosina lenses out there.
Any "Sony" FE lens is actually a Tamron product.
Any "Zeiss" FE lens is actually a Cosina product. Cosina factory, Cosina Equipment. Talk about rip-off.
This here helps:
What's in a name? Zeiss provides details on lens partnerships and production: Digital Photography Review This whole discussion is worthless as all that counts is that the actualy product is good price versus delivered results (small size, light weight, non-plastic-material, color rendition, flare-resistance. resolution, bokeh etc). I still think it is a relevant discussion as it is not that easy for the consumer to judge if it is good quality compared to the competitors. It is relevant for PRIC because they cannot afford to offer cameras and lenses that don't distinguish themselves from other brands' offerings. How would you feel if the future 24-70mm for the FF at the same time where made available for Nikon and Canon with a Tokina badge for half the price?
You might like to think so, but we cannot deny that the answer to that question is entangled in a matter brand perception. The blog post you link to is Zeiss' respond to that fact. Basically Zeiss say: "Look we don't actually build the stuff for Sony in our factory, but we assist and put our good name behind the product. For this Sony pay us good money". They say so because they want to protect their reputation as being high quality and exclusive. Like Leica and Hasselblad they are walking a thin line. Where Hasselblad took some massive missteps which resulted in their CEO being let off, Leica seems to have success.
Personally my perception of Pentax was challenged when, a few years ago, several of their core lenses and prestigious offers doubled in price while they where still available for Canikon with a Tokina badge for half the price (12-24, 35mm ltd, 16-45mm, 50-135mm) There might be some differences between these (coating, quality of materials) which would influence expected quality, but in reality it is near impossible to know this for the consumer. However, at that time the talk on this forum where often about poor quality. If you googled "Pentax SDM" or "Pentax quality" your top hits would not be about pixel dust or anything, but in fact about lack of service control and SDM problems. Going on for too long this would have eroded the association of "Pentax" with anything of quality. - In fact the top hits for Pentax SDM is still about how to disable SDM and how it is sub standard. That is a massive PR fail.
When you cannot even go into a shop and inspect the lenses but have to buy unseen you are asking for trouble when at the same time Pentax don't have the cachet of quality be being perceived the pro's choice (Canikon) or being the conoisseur's choice of exclusivity (Leica)
It appears to me Pentax is back on the steady pre-HOYA track, but I am still puzzled they don't spend just a little energy working actively on the perception thing. Again, personally, Pentax could have sold a 20-40mm ltd to me tomorrow if they showed me it can replace what I have now without losing out in quality (while adding some flexibility). I cannot use users test shots of flowers in the garden to estimate if it will do what I require. So, I just forget about it and make do with what I have.
Pentax really do struggle finding their place on the market which is why we have seen coloured bodies, boxy cameras and other untraditional offers. I don't for a second think it is because they are a crazy inspired bunch of people in the top management, it is because they are forced to try something.