Originally posted by FantasticMrFox Did we read the same review?! The review distinctly sounds like a tie - the Irix is equal in resolution, does better on distortion and CA, and worse on coma and vignetting. The build quality and features are much better.
You can, for example, say that you care more about coma and vignetting and would thus prefer the Samyang, but you certainly cannot conclude from this review that the Samyang is optically better than the Irix overall.
Well, i can quote some aspects of the review that led me to my conclusion:
" In the case of that camera the decency level is situated near 30-32 lpmm and top-of-the-range, fixed focal length lenses can get as high as 44-47 lpmm."
" The lens reaches the peak of its performance, which is 45 lpmm, a really high value, near f/5.6."
" [...] it’s worth noticing that result is weaker than the result of the Samyang 14 mmf/2.8 ED AS IF UMC which already at the maximum relative aperture was able to reach a truly brilliant level of 44 lpmm and then exceeded 46 lpmm on stopping down."
So: The Irix is as sharp as the Samyang- when you stop it down to its peak and look at the Samyang wide open. For me, that doesn't mean they are equal in resolution!
Furthermore you can look at the flares, they stay there even when stopped down to F8.
The lenshood doesn't help at all. So you can't make any landscape pictures with the sun in it, or the sun at the side of yours.
Also the Irix is not sharp in close focus. The Tester said it was barely possible to find any focus point at close distance.
Sure, the distortion is smaller, CA aren't that much of a problem, but those are things which can be easily corrected afterwards.
And sure, Irix features are much better, but i said if you compare only the optics of the Samyang to the Irix, the Samyang wins.