The basis was johnmflores quote:
Originally posted by johnmflores What benefits would the K-1 with a bag of F4 zooms have (if any) over a K-3 II with a bag of F2.8 zooms?
K-1 crop mode was not mentioned, but this obviously hints about
exposure differences between APS-C and FF in general. The theory is clear, FF have about 1 stop lower noise then APS-C
if you use the same aperture number. Now, if you set the FF system
back with 1 stop smaller aperture, that noise advantage is lost. Turning theory into practice, we talk about the DA* 16-50mm f/2,8 zoom on K-3II versus the patented 35-80 f/4 zoom on K-1. Its not an exact match but close enough that large parts of the zoom ranges gives equal field of view. The DA* are designed for APS-C and does not work well on K-1 in FF mode. The 35-80 f/4 patent states FF image circle. We are not talking about a bag of f/2,8 FF lenses used on a crop camera and comparing it to f/4 FF lenses on a FF camera. We are comparing lenses that are designed for the sensor they are used on. Lenses are designed to have a micro contrast suitable for the sensor size its supposed to be used on. The same goes for CA.
The video shows that telephoto compression changes with field of view. Just like I said. But he only changes field of view in one of the two ways possible. By changing the focal length and not by changing sensor size. In post #60 you claimed that the bag of f/4 zooms would give more telephoto compression. Maybe I misunderstood you. There is two possibilities:
1. You claim that FF shooters choose narrower FoV (different composition) then APS-C shooters in the same situation. That would be absolutely ridiculous. OR
2. You claim that telephoto compression depends solely on focal length, not FoV or sensor size. That is absolutely wrong.
So, given my possible misinterpretation, was your claim 1. absolutely ridiculous or 2. absolutely wrong?