Quote: people seem to be getting confused about what I wanted to say.
I think it might be the other way around. The criticisms you made would be of absolutely no use to non-Pentax users.
Or in other words, if you can't tell people why they should use the camera, you cannot possibly understand why they shouldn't.
Back to my 1Dx example. Someone who doesn't utilize 14 FPS criticizes the camera for being only 20 MP. They do not understand that nothing, not the less dynamic range, not the small MP, none of the negatives of the camera will mean it isn't the best camera for what that person needs, and they would buy a camera with even less dynamic range a and lower MP if it gave them 20 FPS, because that feature is really important to what they do.
Now on a K-1, and I don't own it, it is the incredible resolution/detail and colour rendition of the pixel shifted images. Now understand, nothing is free. You can't get that on any other camera. If that feature will improve your work, and it is a feature that will take your great work, ( because you have to be a really good photographer just to understand how to best make use if it.) and push it over the top to a higher level. ( if you're an amateurs that isn't already getting great images the pixel shift won't improve your images). From an absolutist stand point, that is priceless. If it was 1 fps, USB, 1, and there were only three good lenses for it, it would still be the camera for some people for whom it would push their work over the top.
So, you're saying, from your paper analysis, that those people need to be told what the negatives are.
When the D810 came out some of the published images blew me away. Just like some of the images taken with the K-1, especially the ones with pixel shift. So, my question is, why did so many go nuts over the d810 and so few drop what they were doing and buy a K-1. And a lot of that has to do with people getting bad impressions from people like Tony Northrup which is picked up and repeated pretty much verbatim by people like yourself. I mean it isn't even good stuff. It's nit picking about stuff that is pretty secondary to the process of creating images.
Well no, it's not your job to bad mouth a camera who's existence and place in the world you don't really understand. Neither is it Tony Northrup's.
The fact that you don't get it, means you are exactly the person who shouldn't be commenting. You don't appreciate what the K-1 does. You shouldn't be trying to influence people who would, if they gave it a chance.
For myself, I'm really tied to one camera body that can do everything good enough and does better than average on the things that are most important to me. None of my work right now would benefit from a K-1, or a 645z. IN the areas that are most important to me, the K-3 s a great compromise.
Does that mean I'm going to bad mouth a bunch of other cameras because of their supposed deficiencies? The fact is if tomorrow, I need a 1Dx, I'll buy it, if I need a K-1 I'll buy it, if I need a D750, I'll buy it. There is a place for every one of those cameras in some shooter's camera bag. Just not mine. To me Tony Northrup's equipment is a pile of garbage i wouldn't pay for. And I can make just as good arguments as to why my equipment is what I need, as he can for what he needs. The difference between me and him is, I don't go blabbing my mouth off about what I use and why everything else's is crap.
Your little list of criticisms is offensive, in that it's shallow, narrow minded and addresses no really important issues.
He says there are no lenses for the K-1. Because he's been through every lens in the Pentax line up and all the legacy glass and come to this conclusion? No, that's not it is it.
It's because he's a fool that quickly comes to ignorant conclusions and then doesn't even bother to explain them or provide any data supporting his claims. I could just as easily say, that because Nikon doesn't have a 31, 43 or 77 in their line up, and Pentax does cover their odd ball FLs and all the traditional ones, Nikon doesn't have an adequate line up. But I don't. That kind of posturing is meaningless. If one of Pentax lenses is the one that clicks with you, then all the Nikon glass in the world is useless.
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Back to the K-70, I'm definitely going to give it a look. 24 MP pixels shift and the rotating back screen, are definitely keeper items. The movie thing is fascinating too, but I don't do movies. That part makes me curious as to whether or not that technology is introduced in a a high FPS still camera. After all if you can get a camera to do 30 FPS with trading autofocus in movie mode, surely you can do a lot better than 8 FPS in still mode.
And the whole thing about only the 55-300 being able to use new AF tech. that part is just confusing. Until it's clear it can help my FPS in stills, and with the lenses I have, it's not really of interest. Maybe it won't beef the stills up to 30 FPS, but 15 would be awesome. Obviously that will come later if it comes at all.