Originally posted by IchabodCrane There's no reason to think Pentax/Ricoh are about to become a "video-centric" camera maker so I can't see why they'd be developing a separate lens lineup for video enhanced cameras. Given that, would there be any reason to spend a lot of time and money on an entirely new aperture control system if they didn't plan to broadly use it in future lens design?
If I understand it right, pro videographers, real pro, they tend to use dedicated gear. And their primary concen isn't that a 600$ machine should do more than a 4000$ or 50000$ dedicated device.
I get the impression that for video, manual focussing is often better and give control. They also not that necessarily focus on long single recording, but many small one short sequences and they have all the time to adjust diaphram. After all, people get bored if you keep the same point of view more than a few seconds.
So all this focussing while taking a video + change of apperture target more the beginner and maintream. They could very well make 3-4 dedicated video lenses like a 16-300 rebadge and give a revised version of the kit lens too like a 18-50 for video, and decide that for some other lenses, this is not worth the trouble.
It will depend how they analyse the market? if there new FA lltds or equivalent coming for example, Will they want to sell them as video lenses primes, will they want to have DC, will they want WR? Or will they favor a retro design and maybe even keep screw drive? Everything is possible.
It is key aspect to notice that all the recent lenses dedicated to the FF, lenses that may stay on sales for something like 10 years are not using this. Pentax may not want to risk it on pro quality gear until they tried it for 2-3 years on consumer zooms. A bit like they used DC first on the 18-135...