Originally posted by photoptimist If images from the K-3 can be pushed to ISO 12800 or 25600 (with proper software) then maybe the KP can be pushed to ISO 25600 or 51200 which would be a nice change.
How can you hope that KP sensor would give 1EV more than K3? This would mean KP would deliver almost the same high ISO performance as the FF K1, which is a 2016 model and has a lower pixel density. I dont believe it is possible in cameras released at less than one year interval and using the same state of the art technology.
Do you also believe KP high ISOs could outperform the Sony A6500?
Why would Sony sell its best sensor to Pentax rather than use it in its own APS-C flagship?
IMO, KP sensor should perform like that of A6500. What can be improved further in-camera is the JPEG output, when compared to previous genaration JPEGs, thanks to better scene analysis (= more accurate exposure), more processing power and better in-camera software. That is what we have seen in the last ten years, out of camera JPEGs improve faster than the RAW output at every new generation of cameras.
We all know that K3 JPEGs are good up to ISO 1600 (ISO 3200 on easy scenes), but that any average photographer can get much better pictures at ISO >2000 in post-processing the raw. This, not only because the photographer can choose custom settings, but also because the computer can use more sophisticated software, as it can take as long as needed to process a picture, whereas the in-camera raw must be cleaned out of the buffer to free the camera for the next shots.
Thus we can hope that the KP JPEGs will be good enough for most scenes up to ISO 6400/12800.
Beyond, the >100 K ISO settings in APS cameras (whatever the brand) are pure marketing.
---------- Post added 02-22-17 at 11:41 PM ----------
Originally posted by wkraus Make this "I need...".
It is strange that so many people on web forums say they do need to print huge every other day
And forget that the most important quality in a photography worth to be blowed up to wall size is the scene it shows, and how it shows it.
Which relies more on the skill of the photographer, or the unicity of the scene, much more than the performance of the gear.