Originally posted by RobA_Oz I understand what you're saying there, Ian. Nonetheless, without a comprehensive existing range of lenses for the K-1, releasing only premium lenses at such a slow pace is going to limit sales of the K-1 and its successor. .
But that's the tradeoff. Paying for six lenses to be developed and produced at once may take ten years for the project to get into the black, and a company may be insolvent by then. A board would be irresponsible to sign off on such a project in a declining camera market.
We live in a world where inventory is a no-no. It's capital tied up, waiting desperately to be sold. Warehouses should be empty, is the philosophy - production runs are short.
So lenses have to be carefully selected. In the Canikon world you might be hoping to get customers from, zooms rule. And Pentax have those, new.
In Pentax Land, us old farts have a comprehensive range of existing primes going back to 1975 and earlier. As the owner of the FA31, DA*55 and FA77 it's unlikely I'll buy any of the three primes on the roadmap in the next decade.
It's especially true of the Q and 645. Making six lenses for each with a small owner base would be a financial worry hanging over the whole company, threatening all other products, until they hopefully sold enough to get out of the red. A Japanese executive couldn't possibly give a thumb up.
Originally posted by RobA_Oz
If one lens a year is all their design office can manage, they must be meeting in a cupboard.
Well, I think you're right, Rob
I reckon it could well be Masakazu Saori and some assistants now, making do with the budget Ricoh have assigned them.
The fifty will be interesting, because its performance will be expected to exceed older, smaller designs. It will be a departure from the Limiteds (Saori's previous primes were the DA21 and DA70), and it will pioneer techniques that will be used to make the 85mm and any later lenses.