Originally posted by ogl It's fact that
Pentax and Tokina had signed the agreement about co-developing new lenses and really worked in that way.
According to whom? The patents don't say anything about Tokina designers, and co-development is unlikely since Pentax's lens design philosophy is somewhat unique in the industry.
Originally posted by ogl I never understood the back and forth about who designs/licenses/builds etc lenses and if they are rebadges. Who cares if it takes great pictures and satisfies your needs?
Some of us appreciate the Pentax lens design philosophy, with its emphasis on perceptual image quality (rather than an obsession with numerical specs), and prefer Pentax designed lenses, for the improved rendering and the "memory colors."
I have experience shooting Olympus glass. Lenses like the Oly 17/1.8 and Oly 12/2 are very sharp, sharper even than the DA 15 and DA 21. Yet nonetheless images from the two DA limiteds consistently
look better than what I've gotten from the very sharp Oly primes. I shoot Pentax primarily to have access to Pentax glass; and if Pentax becames merely a distributor of rebadged lenses, then my reason for remaining with Pentax would be significantly diminished. Fortunately, that's not going to happen. The DFA 15-30 and the DFA 24-70 are outliers made to fill a temporary gap rather than the new path going forward. Indeed, if Ricoh makes a go of K-mount FF, I fully expect, sometime further down the road, to see a DFA* 24-70 f2.8. Those who routinely suspect that every high end DFA lens Ricoh introduces has to be a rebadge of some other company's similar lens just don't understand how important the
Pentax imaging philosophy is to those who design the cameras and lenses released under the Pentax label.