I was amused enough to actually read dxomark
Pentax 645Z sensor review as well as
Hasselblad X1D-50c sensor review. I didn't know about this until now, unfortunately I know now, it's all your fault
Anyhow, 645Z review is much more nitpickier, the difference in the way words are chosen is striking. I don't bother to list everything but here's one example.
Look at color depth comments in 645Z sensor review, where Hassy (26.2 bits), 645Z (26.0 bits) and D850 (26.4 bits) are compared:
Quote: This graph illustrates where the Nikon D850 wins for Color Sensitivity — that is, at the lowest ISO setting. Once you push the sensitivity (ISO) above that value, it actually drops very slightly behind the two medium-format cameras. Nevertheless, if you want the highest possible Color Sensitivity, the D850 is the one to go for among these three cameras. Of the two medium-format cameras, the Hasselblad X1D-50c is very slightly better at the lowest setting.
OK. But in Hasselblad X1D-50c sensor review, where Sony AR7 II (26.0 bits), the camera with exactly the same color depth score with 645Z, fights instead of 645Z, they say this:
Quote: With such slight differences among them as to be indiscernible in the real world, the Hasselblad X1D-50c, the Nikon D850, and the Sony AR7 II sensors all boast excellent color of around 26 bits at base ISO, and very good color of over 20 bits up to ISO 1600 for normalized print results.
Exact same set of scores, but in one report, D850 is the one to go and X1D-50c is slightly above 645Z, that's important enough for them that they needed to highlight the difference using one whole paragraph, in another report the same difference is indiscernible in the real world and they needed to highlight that these are all basically the same.
Sad, I was thinking about switching to dxo from adobe lightroom.