Originally posted by pres589 I can't imagine that many people would buy the 12-24 instead of the 11-18 unless it's for cost reasons. 18mm is a perfect spot to change lenses to something else that covers about that point out to something longer. This isn't to say the 12-24 isn't without merit, it's just not a star lens,
I shoot zooms precisely to avoid making a lot of lens changes, so the extra 19-24 is a big deal for me, since it means the lens will stay on the camera longer. And while star quality is exceptional, the DA 12-24, in terms of IQ, is hardly chopped liver. While not quite matching star quality, it comes very close.
The DA* 11-18 will be awesome for those who need f2.8 or AW. Some of us, however, don't need either. I personally don't find AW to be all that useful in a WA lens (can't keep water off the front element in any case), and I'm really not a fan of f2.8 zooms. Slower aperture zooms are lighter and less expensive and often have greater focal ranges, and have absolutely no use for f2.8.
The DA 12-24 and this new DA* 11-18 are different lenses serving different needs. It would be preferable that the DA lineup include both zooms.
Originally posted by pres589 I've not used the DA 14 or 12-24, so, grain of salt with this next bit; I have my doubts that the 12-24, at 15mm, is any better at being a lens than the DA 15.
I have both lenses. Yes, the DA 15, in a number of subtle ways, is better than the DA 12-24, but it's not better in all respects. The DA 12-24 features significantly less field curvature, so it's easier to get sharp edges with it. The DA 15 has a bit more contrast and slightly better color rendition than the 12-24. It also features that limited rendering, which the 12-24 entirely lacks. At its sweet spot, the DA 15 will produce nicer images than the 12-24. But with some types of light and textures, it will take a sharp eye to notice the difference.