Originally posted by northcoastgreg I checked the Tokina website to confirm this, and yes, the lens is made in Vietnam (I couldn't find any other Tokina lenses that were manufactured in that country). This suggests the possibility that Pentax/Ricoh is now making lenses for Nikon and Canon and selling them through Tokina in the "Opera" series, which I assume will include the upcoming 85/1.4 and the 35/1.4. Perhaps making versions of these lenses for Canon and Nikon is the only way Ricoh can afford to make such ambitious lenses. Maybe that's part of the explanation for the delay of the DFA 50 and the DA* 11-16. The production facilities in Vietnam are being held up to make lenses for Canon and Nikon. Also: will Tokina reciprocate with rebadges for Pentax? Is the new DFA 70-200 f4, slated to be released next spring, a Tokina rebadge? Is there a possibility of other Tokina lenses being rebadged? The 17-35/4 for instance? What other Pentax lenses, besides the star primes, might wind up being made for Tokina? The DFA fisheye zoom perhaps? Tokina seems to like fisheye zooms. They're still selling their version of the 10-17.
I'm also of the opinion that renewing the collaboration with Tokina is what made this lens possible. Not the technical part, but having it - with top-notch optics, ring-type SDM etc. - on the market for a mere $1200.
OTOH the delay is explained here:
Development Story | HD PENTAX-D FA?50mm F1.4 SDM AW | PENTAX STAR LENS | RICOH IMAGING
A technical issue discovered late in the development process.
Since the Tokina version was launched later than the Pentax, it's definitely not about tying production facilities; I had my Pentax well before the Tokina reached the market.
The best candidate of being a Tokina - likely not a rebadge, but design, as in the past - is the 70-200 f/4, as Tokina already have such a lens. But the D FA might be a Pentax design; we don't know yet.
Fisheye zooms are a Pentax signature design; they had a 17-28mm film one, then the 10-17 which was also a Pentax.