Originally posted by Rondec ... But most of them remain pretty committed to the idea that they need to churn out new cameras at various levels, regardless of how much improvement they are really putting into them. Nikon in particular, seems to be struggling because of this.
Let's see the facts for a second, starting from the fact that despite entry level cameras from Canon and Nikon have a lot less features on paper than Pentax. This doesn't mean that the newer models don't have big improvements over the older ones.
1. 6D to 6D Mark II improvements (entry level camera):
- 11af points (one cross type) vs. 45 af points, all cross type and 27 sensitive to f8
- fixed screen vs. articulated screen
- contrast af in live view vs. dual pixel af
- no water sealing vs water sealing almost as good as the one from 5D Mark IV
- 20mp vs 26mp
- no touch screen vs. touch screen
- 4fps vs. 6fps
6D and D600/D610 represented the entry in the full frame world for enthusiastic photographers not willing to invest 3500$ or more on a more advanced full frame camera. Both cameras made history in terms of sales.
2. 5D Mark III vs 5D Mark IV
- 22mp vs. 30mp
- 61 af points 45 cross type vs. 61 af points (all cross type and sensitive to f8)
- no touch screen vs. touch screen
- contrast af in live view vs. dual pixel af
- dual pixel raw available in 5D Mark IV
- no wifi vs. wifi
- full hd video vs. 4k video
- 5D Mark IV is lighter and better water sealed than 5D Mark III
- dynamic range is better on 5D Mark IV due to the new sensor
As a owner of 6D and as a photographer who had a lot of opportunities to play with 5D Mark III, I found 5D Mark IV as a big improvement over 5D Mark III in every area (af, dynamic range, mettering system, etc.).
3. 7D vs. 7D Mark II
- 18mp vs. 20mp
- ISO 100-6400 vs ISO 100-16.000
- 8fps vs. 10fps
- 19 af points vs 61 af points (all cross type)
- timelapse recording and GPS in 7D Mark II
- one memory card slot vs. 2 memory card slots
- Interchangeable focus screens, anti flicker, built-in intervalometer and bulb timer available in 7D Mark II
Here the differences are so big that I really don't think that I can add a comment.
4. D7200 vs D500
- 24mp vs. 20mp
- 6fps vs. 10fps
- 51 af points, 15 cross-type vs. 153 af points, 99 cross-type
- Auto AF Fine-Tune, flicker detection on D500
- full hd vs. 4k
- Illuminated Buttons, articulating LCD, touchscreen LCD, built-in GPS, all available on D500
D500 and D5 are still considered the best action cameras today. This say a lot about improvements...
5. D810 vs. D850
- 36mp vs. 45mp
- Wireless radio flash control, silent photography mode in Live View, dedicated AF engine, touch af in Live View, focus peaking, focus stacking - all available in D850
- 5fps vs. 7 fps (9 with battery grip)
- 51 af points (15 cross-type) vs. 153 af points (99 cross-type)
- AF EV Range -2 vs. -4EV
- Auto AF Fine-Tune, flicker detection on D850
- full hd vs. 4k
- fixed screen vs. articulated screen
In real life shooting conditions D850 is impressive. It will show you after a few shots if you're ready to handle a camera like that or you have to start practice.
I listed just the main improvements over the older cameras. It is true that Canon and Nikon don't put all the good stuff in their entry level cameras in order to protect the sales of their professional cameras, but the improvements are quite big over the old cameras.
Ricoh chose to keep and improve what they thought/think it is important for their customers and they also chose to keep a low price and therefore they only add marginal improvements in their newer cameras in areas like: af, video, flash system. For a certain type of photographers, Ricoh is the best in terms of features and price. For others...not so much. What I admire at Pentax is that they put lots of features on entry level cameras so the transition from an entry level camera to a K3 or a K1 is easier.
If you go to workshops, photo tours, etc. and talk to the young generation of photographers you will be surprised regarding how much they know about D850, 5D Mark IV, Sony A7 III, D500, Fuji X-T2, Oly E-M1 Mark II. If you ask them about Pentax...if you find one who heard about it, in most cases he will say what he heard on the cancan articles written by DPReview, Tony Northrup, etc. This can't be good no matter how conservative Ricoh wants to be.
Times are changing and it seems that Canon and Nikon realised that features like eye af and electronic viewfinder are selling points to the young generation and they start to adapt to this new "world". And to be honest, despite the fact that I hate EVF from mirrorless cameras, the one from Sony a9 is quite nice and the eye af is exceptional on this camera. After shooting with a9 it's hard to go and buy a a7 III.
I don't think that DSLR's are going anywhere soon, but I tend to believe that a transition will come. How soon? I think that it depends on how much Sony, Olympus, Fuji (and soon Canon and Nikon) will innovate. And seeing the trends (focus stalking, pixel shift, eye af, etc. available already in other cameras from different brands), I realy think that marketing can be a big selling factor when comes to Pentax. You can't be conservative on all levels and rely on the existing user base because I already see lots of Pentaxians who start to shoot also with Fuji, Oly, Sony. And if you start buying new and modern lenses for the new system...sooner or later they will abandon one system.
Someone above said that he has 2-4 Pentax lenses that will suffice for his entire life.
There is only one problem that doesn't care about the name of the brand. It's called GAS (Gear Aquisition Syndrome).
The bad news is that I don't know if there is a cure for that. I keep GAS under control by renting new stuff and play with it. Despite the fact that I really love my camera and lenses, sometimes I do want a small Fuji with 2 primes and get over with all the gear I have.