Originally posted by Scorpio71GR Thank you for the comparison. My copy of the DA 55 does not get really sharp until about f2.2. From f2.8 on it is very sharp. I typically shoot between f2.8-f6.3 with it. On my copy f6.3 seems to be the "sweet" spot. That new DFA 50 sure looks amazing. I'm holding out for the DFA85.
The standard Japanese double Gauss designs for fast primes (all brands) don't get sharp until stopped down … the DFA 50 Macro is sharp wide open but it's a trick because it begins at f2.8.
What makes the DFA*50 different from the K50 f1.2, DA*55, FA 50 f1.4 and so on is the lack of that soft glow wide open … spherical aberration.
If you read the Development story on the Ricoh website, designer Masazuko Saori put an extra corrective group to the front to lift the performance of this thing up into and maybe above Sigma and Zeiss levels, never mind Canon, Nikon and Sony. Size, weight and cost wasn't his concern so he was able to do this.
And yes, the 85mm will benefit from his exciting design template. It was actually the first scheduled of the Star series, but market research caused them to do the Fifty first.