Originally posted by Karen the Star Thank you comrade, I will keep waiting until the end of this year, I set a deadline in my heart to Pentax, if there's no any any any new rumors, announcement from official, or info leaking at the end of 23:59:59 on 31st December, 2019. I will switch to other brands, I mean, anything is ok, not like this and not like the attitude Ricoh Pentax shows now.
Good, this is progress. So, put thoughts of any new camera out of your mind until 23:59:59 on 31st December and until then, enjoy your photography
Originally posted by Karen the Star First of all, I have 6 good lens , so switching to other brands is not so easy for me,I have DA☆11-18mm F2.8, DA☆50-135mm F2.8, 55-300mm PLM, DA 35mm macro limited, FA 35mm HD F2 and DA12-24mm, they are all excellent lens and does really did many good work for me.
More progress. Good glass that you're happy with is, IMHO, far more important than the camera body and its features, so long as the camera's image quality is good enough for your purposes and you can find a way to work with it (and there is
always a way - that's part of what we photographers bring to the table... our skills and ingenuity
). If you're happy with your glass, it's worth making sacrifices on camera functionality. Imagine how long it will take for you to acquire, test and settle on an equivalent set of glass for Nikon Z-mount... Several months, at the very least, and at significant cost to you in both finances and time
Originally posted by Karen the Star Secondly, APS-C lens are compact for carrying, that's very important for me, as DA☆50-135mm F2.8 is the most perfect 70-200 lens in my heart, my best partner, if they renew this lens with new structure and HD coating, I will buy it even they set it to $2000, although miriness is compact, I can't find real feeling on taking photos with it, and lens for them are still too heavy.
Yet more progress
It sounds to me like you're better off staying with APS-C, regardless of whether you keep your Pentax gear or switch to something else.
Originally posted by Karen the Star I do some serious landscape work, because of this, I usually I use 3 to 7 photos with different focus point at a same scenario and combine them in stack mode to get the maximum sharpness, so 27 focus points is really not enough for my work on landscape. =(^.^)=
So... here's a situation where a
very simple change to your technique will make all of those focus points irrelevant. Landscape work generally allows for a fairly relaxed, methodical approach. For your stacking example, you don't need lots of AF points. Frankly, you don't need
any.
Method 1: Switch to MF, engage Live View, then manually focus on the first element of your scene (using magnified Live View to ensure absolute accuracy) and take a shot. Repeat this for each element in your scene.
Method 2: Switch to MF, manually focus at infinity and take the first shot. Then, adjust the focus distance slightly closer (use the lens distance markings for reference) and take another shot. Repeat until all required distances have been covered. This works even with older cameras that have no Live View capability (such as my 14-year-old Pentax *ist DL). It's also quite a quick approach (more so than method 1) since you don't have to achieve perfect focus on each individual element... you simply set focus distance, shoot, adjust focus distance, shoot, adjust focus distance, shoot... You'll be done in a few seconds.
Then, review the images and stack as necessary.
This technique, of course, works for every DSLR or mirrorless camera and lens you've ever owned, own now, or might own in the future. Sure, it takes a
little longer than working with multiple AF points, but it won't take long at all with a bit of practice (especially method 2). It's
easy, and it allows you to shoot with the glass you already own and love, with no additional expense in switching bodies or even systems.
Problem solved
Last edited by BigMackCam; 08-18-2019 at 09:25 AM.