Originally posted by BigMackCam Although I own neither the K-1 nor the K-1II, I played around with DPR's test images quite a lot when the K-1II was released and there was the initial furore around the image accelerator. Generally, I think most (not all, but most) folks are worried about nothing, as the positive impact far outweighs the negative, IMHO. That said, it's possible to find very minor reduced detail from the K-1II in certain specific circumstances, if you really look for it.
Below is a magnified screen grab of the worst affected part of DPR's test image. The comparisons are at 1:1 reproduction size, but then I've magnified this screen grab to 130% to exaggerate the effect. Compare the top two images first - K-1 on the left, K-1II on the right, ISO 100... nothing to see here, it all looks rosy. Now, compare the lower two images at ISO 6400. Look at the body and arm of the magenta jacket, and you'll see that there is some detail loss on the K-1II image. But I'm keen to stress, this is real pixel-peeping stuff.
Thank you Mike! I see what you mean. One could argue about this handpicked part (the Ricoh/Pentax processing pipeline seems to have a not so good "bias" in pink details anyway, as comparisons with other cameras at Imaging Resource might show from time to time) and at the same time about the brown fabric at the same section, where the K1-II seems (!) to show even more detail.
My final conclusion: the accelerator unit might influence (almost invisible) your magenta tones, as these are closest to chroma noise. It might give you more detail in other areas where chroma noise obtruces your images otherwise.
Any visible influence on stacked images still has to be presented.
But this topic might be done --- or will just be raffled further ;-)
---------- Post added 10-10-19 at 08:18 PM ----------
Originally posted by Erictator Right on! Just because something does not effect or bother us, doesn't mean we shouldn't empathize with things that are issues for others. Not that they should cater to every wild wim or esoteric demand, but something largely debated should get their attention. If I were Ricoh, I would be looking very hard to find a way to make the accelerator effect have an on/off switch to make people who want to stack deep sky images without thinking they might lose something or whatever their beef is a possibility, or maybe a sliding scale to choose what iso it kicked in. So far Pentax is known for stills and landscapes cameras, and astro, they certainly cant afford to alienate any segments within those specialty areas, even if their new AF is much better and opens back up other market segments.
Eric
See, this is what I consider a dangerous development in the run up to the new camera. The exxagerated continuation of this topic might just give some people a hit if they would realise that (maybe, I don't know but it is likely) the Pentax/Ricoh designers after their extensive in house testings do not see this as a necessity at all and stick to this design decision. It is getting esoteric, like some HiFi cable thing. No blind test has ever revealed any difference between high quality cables and stupidly expensive special ones. But some people want to get robbed.
EDIT: edited Image from Imagin resource. K1II vs D810 ISO 100.
This is what I call a visible difference.
But be aware: these are processed jpgs as a screenshot and with other processing the results may look different. Beside a slight focus difference.