Originally posted by biz-engineer That why all brands of cameras tend to make all rounder cameras and photographers have to deal with performance compromises.
Workhorse cameras are the best for the majority of photographers (in my opinion). They don't have the compromises of entry level cameras and they are not too far behind in terms of performance to flagships. The way some people think it's a bit strange to me because in their mind they need the best camera for everything they shoot and by thinking this way they won't be happy regardless of the camera they purchase. Going up in the number of mp means (in my opinion) going to the specialized category rather than going for the majority of photographers.
My workflow when comes to sending the images to clients clients is:
- one folder has the images resized for social media (2048px)
- one folder has the larger files which are resized to 4k resolution (4096px)
I photographed a Christmas corporate brunch in December and as I always do, I sent first the resized for Facebook images to my clients so that they can use them straight away on social media. The large files I sent them the next day. I had to leave town the next day for a business trip and I called my client to ask him if it's ok to send the large files next day. He said he doesn't need the large file so if I do want to send them, I can send them when I want. 80% of my clients (I'm talking about corporate events) don't need the large files. The ones they ask for the larger files are (until now) 100% satisfied about the 4096px resolution.
In my contract with clients there is a section where they can choose the size of the images. I use it mostly for corporate portraits (or for example, for the dental surgery I photographed recently) and for each resolution is specified also the maximum print size for best quality. This allows my clients to buy the package they need.
Given these real life experiences I realized that a workhorse camera is best for the majority of situations, at least for me. A higher mp camera would be way overkill for me (and I'm not talking about price, I'm talking about workflow), the high speed of sport oriented cameras won't help me either and entry level cameras would make me work harder to get the job done.
I wonder if it would be such a bad idea for Ricoh to release a 2000$ lower mp full frame workhorse camera (let's say a 26mp or 28mp camera since the 24mp sensor seems doomed
) and keep also in the market the 36mp K-1 Mark II for the ones who need a little more mp instead of replacing the K-1 Mark II with a 45+mp camera and keep only one full frame in the market.
---------- Post added 01-12-20 at 01:23 PM ----------
Originally posted by BruceBanner One thing about megapixels (though I am not sure about this), but I think you also need additional power to process large RAW files, at least I do on my potato of a machine. I notice a significant difference when processing even a 20mb jpg vs a 40mb DNG, so with more meagpixels = more stress on the hardware of the machine, so you're also spending more $$ to cope with the megapixels (true or false? it feels like that).
And I dunno about memory being cheap. I can't use the cloud storage so I carry my backups with me everywhere, currently using a 2TB Extreme Sandisk portable SSD, that thing ain't cheap! So yeah I do understand some memory is cheap, but not all is...
Once you add 2000+ images in Lightroom from a 45mp camera you will need extra coffee to edit the files if you don't have a very powerfull computer.
The UHS-II memory cards aren't cheap either and you need 128Gb memory cards for those 60mp files. It's 200$ a 128Gb SanDisk Extreme Pro memory card at B&H and for clients you shoot at both cards and you would need to buy 4 of them because 2 may not be enough for a wedding. Right here we have additional 800$.
And as you mentioned, the portable hard drives aren't cheap either and 2Tb won't last too long with 45mp cameras.
And it's way harder to get sharp portraits at wide aperture with high resolution cameras. Each "mistake" will amplify the errors. It's full the internet with people who go from 24mp to 45mp cameras and say their images aren't sharp as they should be. The demanding sensor needs more attention when shooting and when you're in the field instead of a studio you don't have time or the great conditions from studio. Imagine shooting the upcoming Olimpics with a 45mp or with a 61mp camera at 20fps. It will be a nightmare due to the amount of extra work to get sharp images.
Last edited by Dan Rentea; 01-12-2020 at 06:46 AM.