Originally posted by Kunzite Fact: Pentax had such lenses, and they weren't praised for them (with very few exceptions, e.g. Mike Johnston / The Online Photographer). This "I want to see imperfect lenses" business feels quite disingenuous to me.
Perhaps I'm in the minority then. But so long as you don't count me amongst the disingenuous, I'm OK with that
I used to play acoustic guitar a lot (not so much these days, due to rheumatoid arthritis), and owned a few vintage Gibsons (a couple of Guilds too) from the 60s and 70s, as well as newer models based on the older designs. The vintage guitars generally had a warm, woody, percussive tone, with inconsistent sustain and articulation across the range. The low end was woody and thumpy, even a little "muddy", with mediocre or quite poor sustain; higher registers were somewhat clearer with better sustain, yet never bright and ringing. The modern versions were generally better in terms of articulation and sustain, but retained much of the "earthy" character of the earlier guitars. Yet they were nicer to play and had better neck shapes, better bridges and nuts, better tuners, cleaner internal build etc., and they were easier to look after. I loved the sound of these guitars. Absolutely loved them.
On several occasions, I tried some higher-end Taylor guitars (favoured by a number of well-known musicians), designed and built to a more modern brief. They were amazing in terms of articulation, sustain, tonal balance etc... the materials and hardware were fantastic too, and the finish beyond reproach. They sounded extraordinarily "clean" and "clear"... but I never warmed to them, and never bought one. Technically, though, they were "better" guitars than even the newer Gibsons and Guilds I owned.
I guess I'm just stuck in a past I was born too late for