Originally posted by normhead It definitely puts us DA*60-250 users in a quandary.
If it had been available when I broke my DA*60-250, I would have bought it as companion to that lens. I bought the DA*200 and now have the DA 55-30; 0. It's a crowded field for the new comer to stand out in. We already have great IQ (60-250), great AF and light weight and also just as good magnification (DA 55-300 PLM) and great primes at 100 macro and DA*200 2.8. It's really left with only a tight spot to try and elbow into.
As I see it:
- DA 55-300 f/4-5.8; cheap, compact / light, decent IQ, slow-ish variable aperture, noisy / (sometimes) slow AF, negligible focus breathing, HD version is WR, APS-C
- DA 55-300 f/4.5-6.3 PLM; cheap, compact / light, decent+ IQ, slower variable aperture, silent / fast / accurate AF, minor focus breathing, WR, APS-C
- DA*60-250 f/4; upper-mid price when discounted (high otherwise), chunky / heavy, excellent IQ, constant aperture, silent / slow / accurate AF, fierce focus breathing at shorter range, proper AW sealing, star-lens build quality, APS-C (full frame with modification only)
- D FA70-210 f/4; high price (for now), chunky / heavy (though not in class), excellent IQ, constant aperture, silent / fast / accurate AF, minor focus breathing, WR, proper full frame design
The value propositions for each are as diverse as the features.
Both the screw-drive and PLM 55-300 models win on cost, size & weight, and maximum "reach" - but the compromise is image quality and slow variable aperture.
The 60-250 is a star lens in build quality and optical performance, and the only truly AW lens of the group. It's let down by focus breathing, SDM focusing speed / reliability concerns, and the need for modification if used on full frame - but otherwise it remains the best choice for all weather shooting, IMHO.
The 70-210 has optical performance, focus speed and minimal focus breathing in its favour. It's WR rather than AW designated, but this will be good enough for many users... and best of all, it's a genuine full frame lens. Overall, I think it's the best choice for full frame users and possibly the most versatile for both formats. Right now, though, you pay for that versatility.