Originally posted by c.a.m @Rondec, thanks for the insight. I don't have paying clients, so my post-processing efforts are directed only towards my own satisfaction. I have spent considerable time to clean up several images, though, so I can understand the time involved.
- Craig
I'm in a similar situation. I have no intention of shooting for money ever again. It's just too tedious. I do take a great deal of pride in my photography, and have always been a bit of a chaser of high technical quality. I suppose I can blame this on my finding photography through the back door. I took up photography to feed raw material into my darkroom, which was actually what i wanted to do. The picture taking was a necessary evil to allow the picture making.
In the darkroom, sharpness is everything. The best lenses, being OCD about enlarger alignment, grain focusers to ensure the image is perfectly sharp.
Did you know that in order for a grain focuser to work, it needs to be put on the same paper as will be printed on? If you miss that step, your focus will be on the bottom of the paper, not the emulsion.
But I digress.
Working in the darkroom as my prime motivation, I quickly came to appreciate well exposed and focused negatives that were made by excellent quality equipment. I milked 35mm for all that I could, ending up shooting Panatomic-X and Technical Pan film to get the highest acutance as I could.
Moving to the 6x7 format was an incredible eye opener for me, but the camera didn't lend itself well to the deep depth of field landscape work that I favoured. Hence my move to 4x5, where available DOF was much greater.
This background has made me a natural born pixel peeper, something of a character flaw that I try to tamp down. This background has also made me an appreciator of great glass, which is why I am so very enthusiastic about this new lens.